The Floozies have been a rising star in the electronic jam scene for some time now, but their recent two month hiatus left fans dying for more. Finally the wait is over and it was worth it! A new album, "Under Another Sun" will be available for download at the band's website on 1/11/11. If you can't wait until then, don't worry, The Floozies will be back on stage this New Year's Eve to jam in the new year with their funky, fresh, improvisational styles of groove.
Creativity, innovation, originality, these words don't even do The Floozies justice. Every live show is its own set of brilliance, with only the Hill brothers' subtle telepathic sync giving their diverse sounds something in common. The band's first album, "Live: Volume 1" is already available on their website and gives an epic example of the rhythms, sounds and styles The Floozies play with in their sets. Some of the songs obviously take inspiration from another band's hit, and credit is given where it's due, but every 'cover' is so full of original jams it becomes its own song. But the band has more than any recorded album can offer, because every live set is its own unique show and no song is played the same twice.
Even the new album, "Under Another Sun" proves The Floozies' diversity, because most of its songs are inspired by improvised jams from live sets, but tweaked, changed and revamped to create a new work. Matt uses their song "Crunchface" as an example, " 'Crunchface' was originally completely improvised at the Granada in October 2009 and we refined it, jazzed it up a little, and now it's on the album. It sounds quite a bit different than it did, but it's still pretty crunchfacey." Matt said. "We didn't really focus on keeping the songs in the same style necessarily. If it grooves and it's dynamic then it's fine by me."
The Floozies' wide range of sounds goes beyond description. Different rhythms, beats, melodies, are just a few things that keep their sets fresh and new, even for their veteran fans. Matt tributes some of their inspiration to some of his favorite artists, Miles Davis, Pretty Lights, Juno What, Garaj Mahal, as well as producers like Timbaland, Dr. Dre, The Neptunes, and Amon Tobin, and other heroes of all professions.
Matt and Mark Hill began their musical careers in different bands, playing at house shows and jamming with friends, but they've come a long way since then. The brothers have toured together as The Floozies all around the States and have even taken the stage at music festivals. Matt Hill remembers starting off with a creative vision, and no way to carry it out except with live looping while jamming. Their progress since then has been a dream come true. "Jamming led to playing at house parties, which led to our shows at the Jazzhaus, which led to more shows at bigger Lawrence venues, which led to festivals and touring. I've wanted to go on tour since I was 11 years old but didn't realize it would happen until it actually started happening." Matt said.
From the beginning, The Floozies were embraced with gusto by the Lawrence music scene. "The very first Jazzhaus show gave us a way better response than we ever expected, and later we played there it was like unreasonably packed. The fire marshal came to that show at one point which was flattering and hilarious at the same time." Matt said. Since then, the band has played all over, celebrating their success with loving audiences, "Playing New Orleans over Mardi Gras weekend was unreal. It was like a different world for me. And the first time we played in Crested Butte, Colorado was incredible. That place is beautiful and they've always gotten down with us out there."
Even after playing along side huge, national acts, festivals and shows in countless towns, The Floozies have not forgotten where they made their start, and they still love the music scene that saw their potential right from the get-go. "Lawrence is a special place. There are so many people that are hungry for bands that bring their own music and innovation, and it's given us so much love from the very beginning." Matt said. "There's this weird attitude among Kansans sometimes that if it's local it's not good, but Lawrencians aren't like that. They know when something's good and if there's good local shit going on, they appreciate it and give the love right back. I love it." And Lawrence really does love The Floozies! If you're not sure, come see for yourself on New Year's Eve. With every bar in town and beyond vying for everyone's dollars on the 31st, The Bottleneck will have no problem bringing in the crowd, with The Floozies headlining and Beans & Cornbread and Inflect opening for them.
After the New Year's Eve party The Floozies are planning four nights with Messy Jiverson, a ski town tour, and an exciting festival spot that cannot be officially announced until New Years'!
For all the aspiring musicians who dream of the same booming success that has The Floozies skyrocketing, Matt has advice: "Don't act like you deserve anything. If you ask people what they want to do when they retire, they almost always say they want to travel and learn an instrument. Mark and I have been lucky enough to travel around and play music. There's a silly sense of entitlement in some musicians we've met where they think everyone should step aside for the greater glory of their band just because they themselves think their music is badass. If people want to hear you and see you live, they'll make it happen and you have to appreciate every moment while you have it." Wise, humble words from an artist who can easily attribute some of his progress to the fans that have brought The Floozies where they are. If their ridiculously intricate live sets and free reign of improv brilliance has proven anything, it's that The Floozies are musicians everyone can admire and enjoy. And this is all still just the beginning.
Don't miss the new album, "Under Another Sun" for a taste of their art that you can take home with you, and BE THERE New Year's Eve, at the Bottleneck. The doors open at 8 p.m. Tickets are $9 if you order in advance, $11 day of.
But before the New Year's Eve extravaganza there are other great shows coming up that you should check out:
This Thursday, Fuzz Nasty, Right of Way and Yeti Speak will be playing progressive funk at the Bottleneck. Doors open at 8 p.m.
The same night, the Brody Buster Band and Brother Bagman will be at the Jazzhaus playing blues and rock.
This is a tough call, these should both be quality shows with headliners that have great reputations around town. Depending on how you're feeling this Thursday, either some funky soul or some folksy blues will definitely satisfy your musical craving. See you downtown!
Tuesday, December 28, 2010
Sunday, December 19, 2010
Aotearoa is releasing a jungle funk EP album of deep, dance-able tunes!
Lawrence's own Aotearoa is releasing their first EP album, a combination of five funky songs that exemplify the duo's cool, energetic style of funk born from folk. The band's brand of hip quivering jungle funk is refreshingly original and perfect for any party. The self-titled album 'Aotearoa' is a collection of versatile songs, each with their own message, but the album comes together as a whole with fun, dance-able beats and memorable, meaningful lyrics. If you can listen to a single track without wanting to jump up and dance, you are not human.
Ilan Gitter and Jake Lerman work in perfect harmony as Aotearoa. They are so familiar with each other's music they can switch instruments with ease, taking up the drums or guitar for various songs. Lerman says they have been playing since high school and began switching instruments when they were part of a 4-piece rock band in high school called Purple Martin. Now the duo has recorded their first album with Joshua Browning at Hey! Bulldog studios, just north of Lawrence.
Lerman says he and Gitter see music as both a mode of expression and a form of entertainment.
"To us this album is a way to voice our thoughts on the world and culture we've been born into, in a way that does not come off a soapbox." Lerman said. "This album, like so many that preceded it, acts as a spoonful of sugar. It's a way to laugh at the fucked up world we live in."
The music on Aotearoa's EP comes across as a funny, funky commentary on modern culture, with smooth, flowing instrumentals and snappy, bold lyrics. Original guitar melodies, riffs and hooks keep the ears in pure bliss while the shaking, drum beats summon your body to move. Listeners might be taken away by the clever, jazzy guitar solos and rolling, dancing drums, but the lyrics speak in a way that is both funny and thought-provoking.
"In terms of content on this album, we range from rampant and unsuspecting commercialism, and a social fixation with wealth to the big round issues that much great music touches on, women, the fleetingness of existence and the strife that we all endure as our lives intersect these changes. " Lerman said.
A perfect example of the album's brilliance and many dimensions is one of Lerman's favorite songs: "I'm Alive For The..." - which can be heard on the band's myspace, find the link at the start of this article. The song's changing, swinging guitar and driving drums are irresistible for dancers. At the same time, the lyrics hold a great deal of meaning, speaking of the absurdity of consumerism, the mystery of life and ideas of kindness, value for beauty in the moment and yearning for growth.
"The name makes an implication that anyone is alive for some THING. That we are on this planet not to live, love and smile all the while, but rather to purchase and accrue debt." Lerman said. "The lyrics further express my belief that despite what faith you subscribe to, no one knows what happens when our time runs out. We could go up, we could go down, we could just sit in the ground or we could come right back around. At the end of the day, every preacher is as clueless as you or I. So if this is our situation, why not make the absolute most of the short time we have?"
The messages and ideas expressed within the songs are a testament to the band's folk roots, but the music itself is based around dance-able funk.
"Folk music is beautiful, but there's a special type of euphoria that comes over a person when they walk out of a venue drenched in sweat, legs still shaking from dancing." Lerman said.
As if a duo that can switch instruments, play inspiring and exciting funk, while speaking to the listeners on a higher level is not impressive enough, the band is also an organic creation of pure, live performances. Every part of an Aotearoa show is made fresh on stage. There are no samples and loops are set live.
"Tempos and timings evolve organically throughout the night." Lerman said. "Every night is unique. Every night flows around that particular audience."
Aside from the new EP, Aotearoa has a full list of other original songs they regularly perform and plan to record in future albums. Their full length album is planned to be recorded after their tour.
"Ilan and I are travelers, the name Aotearoa is a Maori word, that refers to the land mass of New Zealand." Lerman said. "We spent five weeks hitchhiking around the island which solidified our passion for travel." Aotearoa has plans for their first tour, shortly after the EP's release. This won't be a conventional tour, however. Having found their inspiration for travel in New Zealand, the duo will roam freely from city to city across the U.S. without a schedule or route set in stone. "We want to live and breathe this country and do it all while helping people get down." Lerman said. "My hope is that we're received well enough in each town to leave with full bellies and enough money to get to the next show."
With this lifestyle of free-roaming musical performances planned for the near future, Aotearoa hopes to jump-start the tour with a CD release show in Lawrence in the next few weeks. Stay tuned for the date.
Aotearoa has a fascinating, unique style of funk that audiences love. Their brave first step toward fame is sure to be a big success. The band's brilliant instrumentals, witty lyrics and positive energy are addictive to the ears. As mentioned in the first review of this band's performance at the Eighth Street Taproom, Aotearoa is a brilliant new band born of natural talent and practiced skill. The very fact that they have started their journey to musical greatness in Lawrence is thrilling. Don't miss a chance to hear them live and get your hands on their first EP before they hit the road!
Ilan Gitter and Jake Lerman work in perfect harmony as Aotearoa. They are so familiar with each other's music they can switch instruments with ease, taking up the drums or guitar for various songs. Lerman says they have been playing since high school and began switching instruments when they were part of a 4-piece rock band in high school called Purple Martin. Now the duo has recorded their first album with Joshua Browning at Hey! Bulldog studios, just north of Lawrence.
Lerman says he and Gitter see music as both a mode of expression and a form of entertainment.
"To us this album is a way to voice our thoughts on the world and culture we've been born into, in a way that does not come off a soapbox." Lerman said. "This album, like so many that preceded it, acts as a spoonful of sugar. It's a way to laugh at the fucked up world we live in."
The music on Aotearoa's EP comes across as a funny, funky commentary on modern culture, with smooth, flowing instrumentals and snappy, bold lyrics. Original guitar melodies, riffs and hooks keep the ears in pure bliss while the shaking, drum beats summon your body to move. Listeners might be taken away by the clever, jazzy guitar solos and rolling, dancing drums, but the lyrics speak in a way that is both funny and thought-provoking.
"In terms of content on this album, we range from rampant and unsuspecting commercialism, and a social fixation with wealth to the big round issues that much great music touches on, women, the fleetingness of existence and the strife that we all endure as our lives intersect these changes. " Lerman said.
A perfect example of the album's brilliance and many dimensions is one of Lerman's favorite songs: "I'm Alive For The..." - which can be heard on the band's myspace, find the link at the start of this article. The song's changing, swinging guitar and driving drums are irresistible for dancers. At the same time, the lyrics hold a great deal of meaning, speaking of the absurdity of consumerism, the mystery of life and ideas of kindness, value for beauty in the moment and yearning for growth.
"The name makes an implication that anyone is alive for some THING. That we are on this planet not to live, love and smile all the while, but rather to purchase and accrue debt." Lerman said. "The lyrics further express my belief that despite what faith you subscribe to, no one knows what happens when our time runs out. We could go up, we could go down, we could just sit in the ground or we could come right back around. At the end of the day, every preacher is as clueless as you or I. So if this is our situation, why not make the absolute most of the short time we have?"
The messages and ideas expressed within the songs are a testament to the band's folk roots, but the music itself is based around dance-able funk.
"Folk music is beautiful, but there's a special type of euphoria that comes over a person when they walk out of a venue drenched in sweat, legs still shaking from dancing." Lerman said.
As if a duo that can switch instruments, play inspiring and exciting funk, while speaking to the listeners on a higher level is not impressive enough, the band is also an organic creation of pure, live performances. Every part of an Aotearoa show is made fresh on stage. There are no samples and loops are set live.
"Tempos and timings evolve organically throughout the night." Lerman said. "Every night is unique. Every night flows around that particular audience."
Aside from the new EP, Aotearoa has a full list of other original songs they regularly perform and plan to record in future albums. Their full length album is planned to be recorded after their tour.
"Ilan and I are travelers, the name Aotearoa is a Maori word, that refers to the land mass of New Zealand." Lerman said. "We spent five weeks hitchhiking around the island which solidified our passion for travel." Aotearoa has plans for their first tour, shortly after the EP's release. This won't be a conventional tour, however. Having found their inspiration for travel in New Zealand, the duo will roam freely from city to city across the U.S. without a schedule or route set in stone. "We want to live and breathe this country and do it all while helping people get down." Lerman said. "My hope is that we're received well enough in each town to leave with full bellies and enough money to get to the next show."
With this lifestyle of free-roaming musical performances planned for the near future, Aotearoa hopes to jump-start the tour with a CD release show in Lawrence in the next few weeks. Stay tuned for the date.
Aotearoa has a fascinating, unique style of funk that audiences love. Their brave first step toward fame is sure to be a big success. The band's brilliant instrumentals, witty lyrics and positive energy are addictive to the ears. As mentioned in the first review of this band's performance at the Eighth Street Taproom, Aotearoa is a brilliant new band born of natural talent and practiced skill. The very fact that they have started their journey to musical greatness in Lawrence is thrilling. Don't miss a chance to hear them live and get your hands on their first EP before they hit the road!
Thursday, December 16, 2010
Jay Nash, Tony Lucca and Matt Duke harmonize for Pipeline Production's Holiday Extravaganza and DJ ParLe' drops the bass heavy on Fatso's + Previews
Despite the cold outside, it was a hot night in the bars downtown this Wednesday. Pipeline Production's annual Holiday Extravaganza at the Bottleneck and DJ ParLe' at Fatso's brought out the crowds for two wholly different, but intriguing shows.
The Bottleneck hosted the "Totally F*cking Do it!" (TFDI) tour on its stop in Lawrence. The tour has brought together three great guitarists, whose voices and instrumentals combined made a fantastic show for the folks brave enough to travel the icy roads. The TFDI tour of Jay, Tony and Matt is a collaboration of the three artists' individual performances as well as their work together to create even more dynamic, impressive songs as a group. Jay Nash, Tony Lucca and Matt Duke are each well-practiced guitarists, capable of capturing the attention an audience alone. With all three on stage, the Bottleneck experienced a brilliant mix of folk rock rarely heard.
The harmony of the three singers brought a new depth to every song, adding contrast and greater ranges of notes from the vocals. Their guitars taking different rhythms and melodies completely fleshed out every tune, creating the same full experience one might only expect to hear from a band of various instruments. Playing familiar covers of old folk hits, the three bards brought the crowd into the mix with choruses everyone knows. Altogether Jay Nash, Tony Lucca and Matt Duke worked in perfect cohesion.
If you've ever heard of any of these three musicians, or you're just a fan of folk rock, the cumulative work of TFDI is well worth checking out. Odds are you will like these artists, one and all.
After the three musicians put down their guitars, the Bottleneck's stage was open for karaoke. Unfortunately the crowd was a small, modest group of Pipeline Productions' friends, too happy with the buffet of food and cheap drink prices. But a lively show was just about the get started across downtown. Down the street at Fatso's, DJ ParLe' was slowly collecting a crowd of joyful youths, relieved to be finished with finals, or just free for the night.
The DJ's mix of hip-hop, pop and dance songs was more than sufficient background music for a crowd of heavy drinkers. Fatso's Wednesday night specials were $1 Wells, $2 for bottles of beer and some other reasonably good deal. However as far as creating an actual focus of entertainment, DJ ParLe' left something to be desired.
The tunes and mixes on the playlist were fine, and the crowd obviously didn't disapprove, but the bass was turned up so ridiculously loud that it was impossible to discern what song was being played most of the time. Any actual DJing being done aside from clicking Play on iTunes and turning the bass knob all the way up was lost on everyone. Thankfully after a few $1 Wells nobody seemed to notice. The dance floor got its share of drunken party people and the bar was completely packed. A bar-full of The North Face jackets and oddly-angled baseball caps aside - the crowd was a full-on party of happy drunks. And after all, what better way to measure the success of a bar/show than the satisfaction of the audience?
Fatso's successfully brought out a weekend crowd on this weeknight like no average bar could. It just goes to show that the quality and creative force behind music is not always what draws the biggest crowd. Most people out on a Wednesday night just want to drink.
Now for Previews:
If you missed DJ ParLe' or just can't get enough booming bass in your ears, check out The Club with DJ ParLe' this Saturday night at Fatso's for $3. The doors open at 9 p.m. and beats start at 10.
Friday, December 31st, The Floozies are playing a New Year's Eve concert with Beans & Cornbread and Inflect for $10-12. This combination of funky jams and hip-hop will bring in the New Year like no other party in Lawrence. The Floozies big fan base in Lawrence and a whole lot of fun folks will be out at the Bottleneck for this show, so do not miss it!
The Bottleneck hosted the "Totally F*cking Do it!" (TFDI) tour on its stop in Lawrence. The tour has brought together three great guitarists, whose voices and instrumentals combined made a fantastic show for the folks brave enough to travel the icy roads. The TFDI tour of Jay, Tony and Matt is a collaboration of the three artists' individual performances as well as their work together to create even more dynamic, impressive songs as a group. Jay Nash, Tony Lucca and Matt Duke are each well-practiced guitarists, capable of capturing the attention an audience alone. With all three on stage, the Bottleneck experienced a brilliant mix of folk rock rarely heard.
The harmony of the three singers brought a new depth to every song, adding contrast and greater ranges of notes from the vocals. Their guitars taking different rhythms and melodies completely fleshed out every tune, creating the same full experience one might only expect to hear from a band of various instruments. Playing familiar covers of old folk hits, the three bards brought the crowd into the mix with choruses everyone knows. Altogether Jay Nash, Tony Lucca and Matt Duke worked in perfect cohesion.
If you've ever heard of any of these three musicians, or you're just a fan of folk rock, the cumulative work of TFDI is well worth checking out. Odds are you will like these artists, one and all.
After the three musicians put down their guitars, the Bottleneck's stage was open for karaoke. Unfortunately the crowd was a small, modest group of Pipeline Productions' friends, too happy with the buffet of food and cheap drink prices. But a lively show was just about the get started across downtown. Down the street at Fatso's, DJ ParLe' was slowly collecting a crowd of joyful youths, relieved to be finished with finals, or just free for the night.
The DJ's mix of hip-hop, pop and dance songs was more than sufficient background music for a crowd of heavy drinkers. Fatso's Wednesday night specials were $1 Wells, $2 for bottles of beer and some other reasonably good deal. However as far as creating an actual focus of entertainment, DJ ParLe' left something to be desired.
The tunes and mixes on the playlist were fine, and the crowd obviously didn't disapprove, but the bass was turned up so ridiculously loud that it was impossible to discern what song was being played most of the time. Any actual DJing being done aside from clicking Play on iTunes and turning the bass knob all the way up was lost on everyone. Thankfully after a few $1 Wells nobody seemed to notice. The dance floor got its share of drunken party people and the bar was completely packed. A bar-full of The North Face jackets and oddly-angled baseball caps aside - the crowd was a full-on party of happy drunks. And after all, what better way to measure the success of a bar/show than the satisfaction of the audience?
Fatso's successfully brought out a weekend crowd on this weeknight like no average bar could. It just goes to show that the quality and creative force behind music is not always what draws the biggest crowd. Most people out on a Wednesday night just want to drink.
Now for Previews:
If you missed DJ ParLe' or just can't get enough booming bass in your ears, check out The Club with DJ ParLe' this Saturday night at Fatso's for $3. The doors open at 9 p.m. and beats start at 10.
Friday, December 31st, The Floozies are playing a New Year's Eve concert with Beans & Cornbread and Inflect for $10-12. This combination of funky jams and hip-hop will bring in the New Year like no other party in Lawrence. The Floozies big fan base in Lawrence and a whole lot of fun folks will be out at the Bottleneck for this show, so do not miss it!
Saturday, December 11, 2010
Rocket Science and Free Band Radio flex music muscles and Mouth rocks with intense stamina at the Granada!
It was a challenging night for music lovers in Lawrence Friday, as party-people were forced to choose between two great shows; bluegrass or funk. The big, early show at Liberty Hall probably got the lion's share of the crowd, with The Brody Buster Band, the Ben Miller Band and Deadman Flats rocking out from 8 p.m. to midnight, building up the crowd for their after-party at the Bottleneck. Meanwhile Mouth headlined at the Granada with openers Free Band Radio and Rocket Science. The show may not have gotten the crowd they deserved, but the band's music filled the Granada with a power and energy that drew out the dedicated funk fans who came to party.
Rocket Science started to warm things up around 9:30 p.m. with electronic jams that combined exhilarating percussion with dynamic bass and synthesizer tunes. The band's newest addition, Adam on synth, gave fresh electronic melodies and rhythm to the band's already intense, driving style. Stephen Gunn from Mouth joined Evan Leitnaker on a second set of drums, adding to the nonstop, rocking beats that pumped up each song.
The first opener's growing, expanding music just got the party started, allowing Free Band Radio to pick up where they left off. The fresh, new jam band from Kansas City has members from other, well-known jam bands, which combined to play a wide range of styles. They rocked out an array of songs that kept the crowd interested through their impressive set. Switching from hard rock to jazz, classic jams to electronica. Free Band Radio captivated the small, but appreciative crowd that came out to dance near the end of their set.
Finally, Mouth came on near midnight for a very excited audience of fans and music-lovers. Folks from all over Lawrence and Kansas City came to the Granada for the jazzy trio's "cyberfunk" styling. Mouth's consistently excellent sets are also always thrilling because of how different they play their songs for each show.
Adding new solos and improv jams, old songs were renewed again, as the trio exhibited their limitless creativity and practiced synergy. Leaning heavy on some funky, womping bass, Mouth broke it down like the best jazz artists, and then swung back into full funky mode with ease.
On top of a legitimate set of newly fashioned songs, Mouth played long renditions of crowd favorites back to back, barely stopping for a breathe before each new song. The crowd packed the dance floor throughout the lengthy set, grooving to the nonstop tunes. Evan Leitnaker joined them on percussion for part of the set, followed by two other drummers.
For their finale, Mouth rocked out for about 20 minutes straight, virtually outlasting the crowd in terms of sheer energy and stamina. With a total of three drummers on stage, working out intricate, overlapping beats for Jeremy and Zach to rock out to, the music reached a higher level of intensity. Folks had to take breathers before resuming their dancing to keep up with the musicians. The crowd still demanded an encore and Mouth was happy to oblige, finishing up the night with another lengthy, expert song that left some of the audience satisfied, even as a few cried for more.
Hopefully it won't be long before Mouth is on stage again. They clearly have the musical skill and strength to rock out a big venue like the Granada. It was a poor audience for this brilliant performance, greatly due to the shows going on across downtown. A lot of Mouth fans are also fond of Deadman Flats, Mountain Sprout and the other bluegrass groups that were elsewhere. Still, Rocket Science, Free Band Radio and Mouth gave a great account of themselves, putting a lot of heart into a show that deserved a much bigger crowd. If you missed out last night, be there next time!
Rocket Science started to warm things up around 9:30 p.m. with electronic jams that combined exhilarating percussion with dynamic bass and synthesizer tunes. The band's newest addition, Adam on synth, gave fresh electronic melodies and rhythm to the band's already intense, driving style. Stephen Gunn from Mouth joined Evan Leitnaker on a second set of drums, adding to the nonstop, rocking beats that pumped up each song.
The first opener's growing, expanding music just got the party started, allowing Free Band Radio to pick up where they left off. The fresh, new jam band from Kansas City has members from other, well-known jam bands, which combined to play a wide range of styles. They rocked out an array of songs that kept the crowd interested through their impressive set. Switching from hard rock to jazz, classic jams to electronica. Free Band Radio captivated the small, but appreciative crowd that came out to dance near the end of their set.
Finally, Mouth came on near midnight for a very excited audience of fans and music-lovers. Folks from all over Lawrence and Kansas City came to the Granada for the jazzy trio's "cyberfunk" styling. Mouth's consistently excellent sets are also always thrilling because of how different they play their songs for each show.
Adding new solos and improv jams, old songs were renewed again, as the trio exhibited their limitless creativity and practiced synergy. Leaning heavy on some funky, womping bass, Mouth broke it down like the best jazz artists, and then swung back into full funky mode with ease.
On top of a legitimate set of newly fashioned songs, Mouth played long renditions of crowd favorites back to back, barely stopping for a breathe before each new song. The crowd packed the dance floor throughout the lengthy set, grooving to the nonstop tunes. Evan Leitnaker joined them on percussion for part of the set, followed by two other drummers.
For their finale, Mouth rocked out for about 20 minutes straight, virtually outlasting the crowd in terms of sheer energy and stamina. With a total of three drummers on stage, working out intricate, overlapping beats for Jeremy and Zach to rock out to, the music reached a higher level of intensity. Folks had to take breathers before resuming their dancing to keep up with the musicians. The crowd still demanded an encore and Mouth was happy to oblige, finishing up the night with another lengthy, expert song that left some of the audience satisfied, even as a few cried for more.
Hopefully it won't be long before Mouth is on stage again. They clearly have the musical skill and strength to rock out a big venue like the Granada. It was a poor audience for this brilliant performance, greatly due to the shows going on across downtown. A lot of Mouth fans are also fond of Deadman Flats, Mountain Sprout and the other bluegrass groups that were elsewhere. Still, Rocket Science, Free Band Radio and Mouth gave a great account of themselves, putting a lot of heart into a show that deserved a much bigger crowd. If you missed out last night, be there next time!
Wednesday, December 8, 2010
Happenin' Funk or Bold Bluegrass, Friday night the choice is yours!
This Friday night there are two (technically three) great concerts downtown that both promise to be a party, the only problem is choosing where to go and if it is possible to find time and money for both.
Starting at 9 p.m. Deadman Flats will be rocking out at Liberty Hall after returning from their European tour. This show is also a costume party and the performance will be recorded and offered for sale on DVD at a later date. The energy and stage presence of Deadman Flats brings out the crowds. The punk-tastic bluegrass quartet has a big fan base here in their hometown, guaranteeing that Liberty Hall will be a busy venue this Friday. With the Brody Buster Band and the Ben Miller Band opening this may sound like a full night of partying, but the party is just getting started.
An after-party show will be hosted around the corner at the Bottleneck with Whistle Pigs and Mountain Sprout finishing up the night. Mountain Sprout's classic bluegrass jams combined with their hilarious, memorable lyrics and singalongs make this one of the best bluegrass acts in the Midwest. Mountain Sprout has teamed up with Deadman Flats to put on some unforgettable hoedowns in the past and this coordinated double-show might be their most exciting project yet.
The show at Liberty Hall will be done around 11:30 p.m. giving the after-party a fair amount of time to rage on.
The question is, do you have to pay for both? The price of tickets for the show at Liberty Hall is listed as being somewhere between $15-25 (a vague range) according to Lawrence.com, and the show at the Bottleneck is supposedly between $10-12. Obviously these are both good shows. This is a veritable miniature bluegrass festival. But the idea of shelling out between $25 and $37 to get a full nights worth of bluegrass sounds expensive. But if you love bluegrass and can afford it, this will be a pair of shows to remember.
At the same time, another fantastic show will be on at the other end of downtown, in the Granada at 8 p.m. Mouth will be getting funky and cool with Free Band Radio featuring Eric Gould of Particle and Brandon Draper of Quixotic along with Rocket Science featuring a new lineup.
Mouth's funky jams are a combination of improvisation and well-practiced, well-loved originals. They play every show with their original "cyberfunk" style, varied by their emphasis on different sounds from disco to dub-step and everything in-between. Free Band Radio is a combination of nationally renowned jam band. The fresh combination promises electronic funk, perfect for dancing.
For just $7, this show is a much better deal for party people that are out looking for fun this Friday night. The combination of these three electronic jam bands getting funky and energetic will charge up the Granada for a night of dance-able party music. The Granada may rival Liberty Hall for the biggest crowd this Friday night. It's all up to you.
Whether you're more inclined toward some bluegrass drink-along songs, or funky dance jams, this Friday night you won't be disappointed. If you have the time, money and energy you might be able to get some of everything. These are two of the most promising shows in the foreseeable future, so don't miss out!
Starting at 9 p.m. Deadman Flats will be rocking out at Liberty Hall after returning from their European tour. This show is also a costume party and the performance will be recorded and offered for sale on DVD at a later date. The energy and stage presence of Deadman Flats brings out the crowds. The punk-tastic bluegrass quartet has a big fan base here in their hometown, guaranteeing that Liberty Hall will be a busy venue this Friday. With the Brody Buster Band and the Ben Miller Band opening this may sound like a full night of partying, but the party is just getting started.
An after-party show will be hosted around the corner at the Bottleneck with Whistle Pigs and Mountain Sprout finishing up the night. Mountain Sprout's classic bluegrass jams combined with their hilarious, memorable lyrics and singalongs make this one of the best bluegrass acts in the Midwest. Mountain Sprout has teamed up with Deadman Flats to put on some unforgettable hoedowns in the past and this coordinated double-show might be their most exciting project yet.
The show at Liberty Hall will be done around 11:30 p.m. giving the after-party a fair amount of time to rage on.
The question is, do you have to pay for both? The price of tickets for the show at Liberty Hall is listed as being somewhere between $15-25 (a vague range) according to Lawrence.com, and the show at the Bottleneck is supposedly between $10-12. Obviously these are both good shows. This is a veritable miniature bluegrass festival. But the idea of shelling out between $25 and $37 to get a full nights worth of bluegrass sounds expensive. But if you love bluegrass and can afford it, this will be a pair of shows to remember.
At the same time, another fantastic show will be on at the other end of downtown, in the Granada at 8 p.m. Mouth will be getting funky and cool with Free Band Radio featuring Eric Gould of Particle and Brandon Draper of Quixotic along with Rocket Science featuring a new lineup.
Mouth's funky jams are a combination of improvisation and well-practiced, well-loved originals. They play every show with their original "cyberfunk" style, varied by their emphasis on different sounds from disco to dub-step and everything in-between. Free Band Radio is a combination of nationally renowned jam band. The fresh combination promises electronic funk, perfect for dancing.
For just $7, this show is a much better deal for party people that are out looking for fun this Friday night. The combination of these three electronic jam bands getting funky and energetic will charge up the Granada for a night of dance-able party music. The Granada may rival Liberty Hall for the biggest crowd this Friday night. It's all up to you.
Whether you're more inclined toward some bluegrass drink-along songs, or funky dance jams, this Friday night you won't be disappointed. If you have the time, money and energy you might be able to get some of everything. These are two of the most promising shows in the foreseeable future, so don't miss out!
Saturday, December 4, 2010
Somasphere drops dirty bass to bring down the Granada with a free show + Previews!
As if it were not exciting enough just to have Somasphere playing the Granada on a Friday night, they made the show free to everyone over 21 years old! Such love. So it was obvious by 9:30 p.m. that the big venue would be put to the test and packed to capacity. Three DJs warming the crowd up and Somasphere blasting the venue with their bass-heavy beats made it a night to remember. Anyone who loves electronic music should have been there.
The Granada is one of the biggest venues in town, but even so, a free show will gather more people than any bar could want. Even though they were charging kids under 21 three bucks to get in, the crowd was a mix of older party people and lots of kids too happy to pay just a few dollars for an epic Friday night show. Getting into a show for free always gives folks an extra boost of energy, on top of that they also have more money for booze, which means the party just gets crazier. Inevitably there were plenty of people showing up to the Granada early to secure their wristbands, so the opening DJs got started early in kind.
The first DJ was already on by 10 p.m., warming up the gathering mob for what was guaranteed to be a manic night. To their credit, these DJs were actually quite good. Most opener DJs are only moderately entertaining. With a crowd fueled by the excitement the evening promised and some very dance-able mixes, the DJs got the dance floor going quite quickly.
It was especially relieving to enjoy good quality DJs once the word got around that the headliners weren't starting until midnight. Whatever their reasons, the wait for Somasphere was worth it. The third DJ really was a tough act to follow, but Somasphere came out with the energy of the sun and blew away the already-pumped audience with their combined styles of electronica and rock.
The heavy bass gives Somasphere's tunes a dirty, dancing rhythm the crowd cannot resist. Combined with the rockin', melodic guitar and spacey synthesizer, the band's harmony's are compelling and addictive. The audience took to the music right from the start and never stopped dancing. The band literally never took more than a second's break between hits and did not even wait long before running back out for their highly-demanded encore. An interesting aspect of the band's percussion is that they use both traditional and electronic drum kits, creating a wider range of beats for different songs.
The influences for this amazing, young band are many and well-loved in the scene. You can hear touches of Sound Tribe Sector 9, Thievery Corporation, Bassnectar, EOTO, Pnuma Trio, Bonobo, Daft Punk, RJD2 and many more, which have been made part of Somasphere's very own style of Electro Drum & Bass.
It's obvious that the Lincoln/Omaha band loves Lawrence. And Lawrence loves Somasphere. Last December the band played at the Jackpot with Big Gigantic. The tiny venue could not hold the horde of music lovers that wanted to see them. The Granada was a much better choice this year. Last May Somasphere threw down a sick set at Festy Fest outside of town, with more room for dancers to strut their stuff, it was a fantastic night. But neither set could compare with last night's wild party. Their set list was a non-stop bass-blasting dance party, which was exactly what the crowd wanted. Last night the Granada was a thumping, electrified riot of good vibes that will be the talk of the town for weeks.
Somasphere's shows won't always be free, but they are incredibly good. This rising star in the electronic music scene is definitely worth coming out to see. Whether or not you were there this time, you need to be there next time!
Now for Previews:
Tonight is Fatso's weekly club experience, with DJ Parle'. If you haven't had enough electronica and dancing, this will be the place to go tonight. For just $3 you can get good drinks at decent prices and dance your buns off to hip-hop, Top 40 and house music. Doors open at 9 p.m., music starts at 10 p.m.
Tuesday you can catch a traditional Bluegrass and Blues band from Austin, Texas. Fat Man And Little Boy: The Atomic Duo will be rambling and rocking out their unique blend of old-school bluegrass roots and blues at the Eighth Street Taproom for just $3!
This Thursday is NEON Dance Party's last night. The DJ dance party has been a Lawrence tradition for 9 years, and has moved between venues all around downtown, but the party is finally coming to an end at the bar it began, the Jackpot. If you are one of the thousands of folks in Lawrence who remember great times getting crunk at this Thursday night tradition, come out one last time and dance for old times' sake!
You stay classy, Lawrence!
The Granada is one of the biggest venues in town, but even so, a free show will gather more people than any bar could want. Even though they were charging kids under 21 three bucks to get in, the crowd was a mix of older party people and lots of kids too happy to pay just a few dollars for an epic Friday night show. Getting into a show for free always gives folks an extra boost of energy, on top of that they also have more money for booze, which means the party just gets crazier. Inevitably there were plenty of people showing up to the Granada early to secure their wristbands, so the opening DJs got started early in kind.
The first DJ was already on by 10 p.m., warming up the gathering mob for what was guaranteed to be a manic night. To their credit, these DJs were actually quite good. Most opener DJs are only moderately entertaining. With a crowd fueled by the excitement the evening promised and some very dance-able mixes, the DJs got the dance floor going quite quickly.
It was especially relieving to enjoy good quality DJs once the word got around that the headliners weren't starting until midnight. Whatever their reasons, the wait for Somasphere was worth it. The third DJ really was a tough act to follow, but Somasphere came out with the energy of the sun and blew away the already-pumped audience with their combined styles of electronica and rock.
The heavy bass gives Somasphere's tunes a dirty, dancing rhythm the crowd cannot resist. Combined with the rockin', melodic guitar and spacey synthesizer, the band's harmony's are compelling and addictive. The audience took to the music right from the start and never stopped dancing. The band literally never took more than a second's break between hits and did not even wait long before running back out for their highly-demanded encore. An interesting aspect of the band's percussion is that they use both traditional and electronic drum kits, creating a wider range of beats for different songs.
The influences for this amazing, young band are many and well-loved in the scene. You can hear touches of Sound Tribe Sector 9, Thievery Corporation, Bassnectar, EOTO, Pnuma Trio, Bonobo, Daft Punk, RJD2 and many more, which have been made part of Somasphere's very own style of Electro Drum & Bass.
It's obvious that the Lincoln/Omaha band loves Lawrence. And Lawrence loves Somasphere. Last December the band played at the Jackpot with Big Gigantic. The tiny venue could not hold the horde of music lovers that wanted to see them. The Granada was a much better choice this year. Last May Somasphere threw down a sick set at Festy Fest outside of town, with more room for dancers to strut their stuff, it was a fantastic night. But neither set could compare with last night's wild party. Their set list was a non-stop bass-blasting dance party, which was exactly what the crowd wanted. Last night the Granada was a thumping, electrified riot of good vibes that will be the talk of the town for weeks.
Somasphere's shows won't always be free, but they are incredibly good. This rising star in the electronic music scene is definitely worth coming out to see. Whether or not you were there this time, you need to be there next time!
Now for Previews:
Tonight is Fatso's weekly club experience, with DJ Parle'. If you haven't had enough electronica and dancing, this will be the place to go tonight. For just $3 you can get good drinks at decent prices and dance your buns off to hip-hop, Top 40 and house music. Doors open at 9 p.m., music starts at 10 p.m.
Tuesday you can catch a traditional Bluegrass and Blues band from Austin, Texas. Fat Man And Little Boy: The Atomic Duo will be rambling and rocking out their unique blend of old-school bluegrass roots and blues at the Eighth Street Taproom for just $3!
This Thursday is NEON Dance Party's last night. The DJ dance party has been a Lawrence tradition for 9 years, and has moved between venues all around downtown, but the party is finally coming to an end at the bar it began, the Jackpot. If you are one of the thousands of folks in Lawrence who remember great times getting crunk at this Thursday night tradition, come out one last time and dance for old times' sake!
You stay classy, Lawrence!
Wednesday, December 1, 2010
Sonic Sutra jams out a dynamic set for their homecoming show + Previews!
It has been months since Sonic Sutra's last show in Lawrence, but Billy Wassung of both Billy the Squirrel and Sonic Sutra has not lost his touch. Far from it, the band is a well-practiced music machine, whipping out smart, intricate jams that span from psychedelic to funky and everything in-between.
With a combination of guitar, bass, drums and keys, along with a fast-fingered mandolin adding to the mix for some songs, Sonic Sutra jammed out long, flowing songs that compelled the crowd to gather on the dancefloor early on in the night. Billy Wassung's vocals give some songs an extra melody. The pumping bass and drums compliment each other and put together a brilliant rhythm. Billy's insanely fast, and accurate guitar skills along with the keys give each song a clear, smooth melody. It's almost too much for the ears to comprehend when all the musicians are in harmony, jamming their fast, changing songs. Rocking out from about 10:30 p.m. to 1:30 a.m. with only a short set break, the band provided a lengthy night of great tunes. Without a pause, the band can switch from one song to the next, proving themselves to be entirely proficient in their styles and beats.
Fatso's is an ideal venue for smaller shows. The bar offers all wells, calls and any bottle of beer for just $2 on Monday and Tuesday nights. On top of that Cupini's delicious pizzas and other food is available within the bar, and there's plenty of booths to eat at. The bar is spacious enough for a medium sized crowd to fill the dance floor, and there's plenty of space on the smoking patio. Sadly the bar didn't have a big crowd, but that can't be expected on a Tuesday night. The folks at the bar and on the dance floor were clearly impressed with Sonic Sutra's expertise, and the band deserved a better crowd.
Hopefully Sonic Sutra will play in their hometown again soon!
Now for Previews:
Thursday, New Inhabitants are playing with Tyler Gregory & the Bootleg Bandits at the Jazzhaus for just $3! Doors open at 9 p.m. This show will juxtaposition New Inhabitants' indie pop with Tyler Gregory's blues and roots, so don't miss out on some great live music.
Friday there is talk of Somasphere playing at the Granada FOR FREE. Doors open at 9 p.m. Tickets may only start being given out then, but if you want to be sure and get in, it might be smart to come earlier than that to secure your wristband. This is guaranteed to be an epic good time!
With a combination of guitar, bass, drums and keys, along with a fast-fingered mandolin adding to the mix for some songs, Sonic Sutra jammed out long, flowing songs that compelled the crowd to gather on the dancefloor early on in the night. Billy Wassung's vocals give some songs an extra melody. The pumping bass and drums compliment each other and put together a brilliant rhythm. Billy's insanely fast, and accurate guitar skills along with the keys give each song a clear, smooth melody. It's almost too much for the ears to comprehend when all the musicians are in harmony, jamming their fast, changing songs. Rocking out from about 10:30 p.m. to 1:30 a.m. with only a short set break, the band provided a lengthy night of great tunes. Without a pause, the band can switch from one song to the next, proving themselves to be entirely proficient in their styles and beats.
Fatso's is an ideal venue for smaller shows. The bar offers all wells, calls and any bottle of beer for just $2 on Monday and Tuesday nights. On top of that Cupini's delicious pizzas and other food is available within the bar, and there's plenty of booths to eat at. The bar is spacious enough for a medium sized crowd to fill the dance floor, and there's plenty of space on the smoking patio. Sadly the bar didn't have a big crowd, but that can't be expected on a Tuesday night. The folks at the bar and on the dance floor were clearly impressed with Sonic Sutra's expertise, and the band deserved a better crowd.
Hopefully Sonic Sutra will play in their hometown again soon!
Now for Previews:
Thursday, New Inhabitants are playing with Tyler Gregory & the Bootleg Bandits at the Jazzhaus for just $3! Doors open at 9 p.m. This show will juxtaposition New Inhabitants' indie pop with Tyler Gregory's blues and roots, so don't miss out on some great live music.
Friday there is talk of Somasphere playing at the Granada FOR FREE. Doors open at 9 p.m. Tickets may only start being given out then, but if you want to be sure and get in, it might be smart to come earlier than that to secure your wristband. This is guaranteed to be an epic good time!
Tuesday, November 23, 2010
Bonobo gets their dance on at the Granada and makes a raging party out of Monday night + Previews!
It is not often a big band plays a wild, thumping concert on a Monday night. Musicians and venue owners would not normally expect to get a good crowd. That rule does not apply to Bonobo, a British DJ and musician whose reputation precedes him across the country.
Halfway along his tour across the States, Bonobo decided to make a stop in our small, musical town, drawing envy from folks all around the Midwest. Devoted fans drove across whole states just to make it to the Monday night show and filled the Granada. Music lovers in town also came out in droves to help fill the big venue. Familiar faces and strangers alike held a good vibe as they packed in together for some great music.
One might expect a DJ's live performance to be less than thrilling and only pleasant on the ears. This was somewhat true for the duo that opened for Bonobo. As they spun their mixes and sang into the microphone, the crowd watched with mild boredom. Tokimonsta's ready-made dance mixes had some very cool bass lines that were irresistibly danceable, but just as the packed dance floor started to get its groove on, the beat would die and the song would lose its charm. Fortunately Bonobo brought enough brilliant music to make up for the opener and a large band with a singer, drummer, keyboardist, guitarist, saxophonist, flutist and more for his live set.
Playing guitar and bass for some of his songs, or leading the rest of the band, Bonobo held the audience captive with growing, pumping songs. The DJ's style varies from chill, flowing compilations of the instruments, jazzy solos and heavy, complex Trip-hop bass beats. The crowd got down with pleasure to the dirty dance rhythms and cheered after every soulful, funky solo.
Any smaller venue would have overflowed with the crowd, but it fit the Granada nicely. A grand display of party people came out on Monday night with energy to burn and raged on for every moment of Bonobo's hour-long set. It was a rare opportunity to see a live performance of an internationally renowned DJ from overseas. It's no wonder folks from across the Midwest drove out to see him, and Lawrence enjoyed another epic night of great music.
Now for Previews:
Friday night Fuzz Nasty is getting their funk on at the Jazzhaus for $5. The soul and blues band has a classic jazz sound with their professional instrumentals. It should be a busy Friday night party.
On Saturday, if you're looking for cheap drinks in a cool atmosphere, you might want to check out The Club with DJ ParLe at Fatso's. Fatso's often offers the best prices on drinks and sometimes puts together a cool show. So come for a drink and check it out!
Halfway along his tour across the States, Bonobo decided to make a stop in our small, musical town, drawing envy from folks all around the Midwest. Devoted fans drove across whole states just to make it to the Monday night show and filled the Granada. Music lovers in town also came out in droves to help fill the big venue. Familiar faces and strangers alike held a good vibe as they packed in together for some great music.
One might expect a DJ's live performance to be less than thrilling and only pleasant on the ears. This was somewhat true for the duo that opened for Bonobo. As they spun their mixes and sang into the microphone, the crowd watched with mild boredom. Tokimonsta's ready-made dance mixes had some very cool bass lines that were irresistibly danceable, but just as the packed dance floor started to get its groove on, the beat would die and the song would lose its charm. Fortunately Bonobo brought enough brilliant music to make up for the opener and a large band with a singer, drummer, keyboardist, guitarist, saxophonist, flutist and more for his live set.
Playing guitar and bass for some of his songs, or leading the rest of the band, Bonobo held the audience captive with growing, pumping songs. The DJ's style varies from chill, flowing compilations of the instruments, jazzy solos and heavy, complex Trip-hop bass beats. The crowd got down with pleasure to the dirty dance rhythms and cheered after every soulful, funky solo.
Any smaller venue would have overflowed with the crowd, but it fit the Granada nicely. A grand display of party people came out on Monday night with energy to burn and raged on for every moment of Bonobo's hour-long set. It was a rare opportunity to see a live performance of an internationally renowned DJ from overseas. It's no wonder folks from across the Midwest drove out to see him, and Lawrence enjoyed another epic night of great music.
Now for Previews:
Friday night Fuzz Nasty is getting their funk on at the Jazzhaus for $5. The soul and blues band has a classic jazz sound with their professional instrumentals. It should be a busy Friday night party.
On Saturday, if you're looking for cheap drinks in a cool atmosphere, you might want to check out The Club with DJ ParLe at Fatso's. Fatso's often offers the best prices on drinks and sometimes puts together a cool show. So come for a drink and check it out!
Sunday, November 14, 2010
Yonder Mountain String Band completes their tour with a suberb final set at Liberty Hall and Reverend Horton Heat jams the Bottleneck full + Previews!
Yonder Mountain String Band's two nights of bluegrass excellence at Liberty Hall were their last performances in a busy tour. The band gave Lawrence their all, right to the end, celebrating their love for music and their fans with two sets, and two encores on Saturday night. The variety of songs, the excellent vocals and instrument solos and a joyful, adoring crowd made the concert a picturesque sum of Yonder Mountain String Band's brilliance.
From the get go, Yonder kicked off the first set Saturday night with energetic, catchy bluegrass that immediately warmed up the crowd. The band then went on to demonstrate their variety of sounds, showing influences far beyond country or bluegrass. Utilizing their instruments' harmony and the players' sonorous voices, Yonder put together some melancholy, swinging songs you might not expect to hear at a bluegrass show. Beyond that they played some weird, wild, tunes you could only expect at a Les Claypool concert. But flexing their musical muscles, the band reaches their greatest heights when they rock out their most energetic, dance-able bluegrass jams.
Liberty Hall is the largest venue in town, and offers a great view for most everyone attending, from the packed dance floor to the stacked balcony, but it always becomes a desperate fight for space, with no hope of walking around, socializing or even getting much room to dance. As expected at a Yonder show in Lawrence, the place was full Saturday night, and you could tell. Thankfully the audience, which ranged from old couples to party kids and everyone in-between, was a happy, friendly lot that made the crowding a little more tolerable.
Yonder's first set blazed brightly from a little after 8 until 9:45. By then Split Lip Rayfield had begun opening for Reverend Horton Heat at the Bottleneck. But nobody was going to miss Yonder's last set before New Year's Eve. For their second set Yonder really blew the crowd away with fiery hot, fast bluegrass including solos on the banjo, stand-up bass, mandolin and guitar that melted the crowd's face. The band even played some fantastic covers of songs, including a great rendition of the Talking Head's Girlfriend Is Better.
For their first encore the band played two great bluegrass jams, but the crowd still hadn't had enough. Without making us wait too long, Yonder came back out for one final song. And wouldn't you know it, it was a Split Lip Rayfield song! Used To Call Me Baby, which ironically is this reviewer's very favorite song. Their cover was an awesome hit and left the crowd cheering at the top of their lungs, for the third time in a row. It's guaranteed that a number of Yonder fans there last night will make the trip to St. Louis for their New Year's Eve show.
As if it weren't good enough that Yonder played a great Split Lip Rayfield song, Reverend Horton Heat was still on at the Bottleneck around the corner. Although it was only midnight, the sticklers at the Bottleneck were still charging at the door. Reverend Horton Heat is a spectacle to behold, but still, to pay $11 for the last hour of the show seemed a tad unfair. But the Bottleneck was determined to get their money and they did. No one could have thought it possible, but the Bottleneck was just as completely jam-packed as it was for Lotus' free show. The booths that had been moved to make more room for that show were back in place, with people standing on top of them for a view of the band.
The Texas native rockabilly kings have a surf-rock feel to their bluegrass rock that gives their songs a groovy, oldies' swing. Split Lip Rayfield may have already led the crowd to dance out all their energy, or maybe it was literally too packed to move, but the audience was standing still like a warehouse over-loaded with statues. Reverend Horton Heat's instrumental brilliance was admirable and so was the jammed venue, but it felt odd that no one was dancing. As a musician in the audience pointed out, the surf-rock guitar seemed turned down low, allowing the bass and drums to rock out harder. Perhaps some more volume in the swinging guitar melody would've helped.
All in all it was a great night for music lovers downtown. Hopefully Yonder Mountain String Band and Reverend Horton Heat will each return soon!
Now for Previews:
A dance performance based around lots and lots of drums will be playing at the Granada this Tuesday at 8 p.m. Mutaytor's tribal drum beats and fire-dancing recreates the energy of an epic festival drum circle. Lawrence.com says it'll be about $10-12
Wednesday, Badfish, a Sublime tribute band will be at the Granada. If you love some Sublime hits and a little punk rock, be there with $15.
Supposedly NEON Dance Party is wrapping things up for good in December. Thursday night at the Jackpot may be one of the last times you can boogie to 80's remixes and dance pop songs.
Monday, the 22nd, Bonobo will be rocking out their unique style of electronic indie rock at the Granada for $14-16.
A very exciting bit of news just popped up on Facebook, that Sonic Sutra will be returning to Lawrence on Tuesday, November 30th!
From the get go, Yonder kicked off the first set Saturday night with energetic, catchy bluegrass that immediately warmed up the crowd. The band then went on to demonstrate their variety of sounds, showing influences far beyond country or bluegrass. Utilizing their instruments' harmony and the players' sonorous voices, Yonder put together some melancholy, swinging songs you might not expect to hear at a bluegrass show. Beyond that they played some weird, wild, tunes you could only expect at a Les Claypool concert. But flexing their musical muscles, the band reaches their greatest heights when they rock out their most energetic, dance-able bluegrass jams.
Liberty Hall is the largest venue in town, and offers a great view for most everyone attending, from the packed dance floor to the stacked balcony, but it always becomes a desperate fight for space, with no hope of walking around, socializing or even getting much room to dance. As expected at a Yonder show in Lawrence, the place was full Saturday night, and you could tell. Thankfully the audience, which ranged from old couples to party kids and everyone in-between, was a happy, friendly lot that made the crowding a little more tolerable.
Yonder's first set blazed brightly from a little after 8 until 9:45. By then Split Lip Rayfield had begun opening for Reverend Horton Heat at the Bottleneck. But nobody was going to miss Yonder's last set before New Year's Eve. For their second set Yonder really blew the crowd away with fiery hot, fast bluegrass including solos on the banjo, stand-up bass, mandolin and guitar that melted the crowd's face. The band even played some fantastic covers of songs, including a great rendition of the Talking Head's Girlfriend Is Better.
For their first encore the band played two great bluegrass jams, but the crowd still hadn't had enough. Without making us wait too long, Yonder came back out for one final song. And wouldn't you know it, it was a Split Lip Rayfield song! Used To Call Me Baby, which ironically is this reviewer's very favorite song. Their cover was an awesome hit and left the crowd cheering at the top of their lungs, for the third time in a row. It's guaranteed that a number of Yonder fans there last night will make the trip to St. Louis for their New Year's Eve show.
As if it weren't good enough that Yonder played a great Split Lip Rayfield song, Reverend Horton Heat was still on at the Bottleneck around the corner. Although it was only midnight, the sticklers at the Bottleneck were still charging at the door. Reverend Horton Heat is a spectacle to behold, but still, to pay $11 for the last hour of the show seemed a tad unfair. But the Bottleneck was determined to get their money and they did. No one could have thought it possible, but the Bottleneck was just as completely jam-packed as it was for Lotus' free show. The booths that had been moved to make more room for that show were back in place, with people standing on top of them for a view of the band.
The Texas native rockabilly kings have a surf-rock feel to their bluegrass rock that gives their songs a groovy, oldies' swing. Split Lip Rayfield may have already led the crowd to dance out all their energy, or maybe it was literally too packed to move, but the audience was standing still like a warehouse over-loaded with statues. Reverend Horton Heat's instrumental brilliance was admirable and so was the jammed venue, but it felt odd that no one was dancing. As a musician in the audience pointed out, the surf-rock guitar seemed turned down low, allowing the bass and drums to rock out harder. Perhaps some more volume in the swinging guitar melody would've helped.
All in all it was a great night for music lovers downtown. Hopefully Yonder Mountain String Band and Reverend Horton Heat will each return soon!
Now for Previews:
A dance performance based around lots and lots of drums will be playing at the Granada this Tuesday at 8 p.m. Mutaytor's tribal drum beats and fire-dancing recreates the energy of an epic festival drum circle. Lawrence.com says it'll be about $10-12
Wednesday, Badfish, a Sublime tribute band will be at the Granada. If you love some Sublime hits and a little punk rock, be there with $15.
Supposedly NEON Dance Party is wrapping things up for good in December. Thursday night at the Jackpot may be one of the last times you can boogie to 80's remixes and dance pop songs.
Monday, the 22nd, Bonobo will be rocking out their unique style of electronic indie rock at the Granada for $14-16.
A very exciting bit of news just popped up on Facebook, that Sonic Sutra will be returning to Lawrence on Tuesday, November 30th!
Wednesday, November 10, 2010
The Bottleneck overflows for a free Lotus show + Previews!
The Bottleneck had its busiest Tuesday night in a long time when Lotus came to town to play a free show, packing the venue to capacity. Lotus took the stage around 10 p.m. and played continuously until 1 a.m. for a full house of loving fans.
The good folks at the Bottleneck were wise enough to remove several of the booths in the bar to make more room for folks to stand and dance around. The extra space was entirely necessary, as the Bottleneck gave away all 400 wristbands, and the dance floor was a crushing deluge of wild-eyed party people.
In all honesty, the music itself was not entirely dance-able. The crowd could either hop and twist to a racing drum beat, or sway to spacey, changing electronic melodies. Obviously it was far from bad, Lotus is well-known for their talent and epic electronic rock. But it wasn't everything it could have been. Still, it's hard to complain when the show is free.
Lotus' combination of drums, bass, guitar and synthesizer/keys made for a complex, intricate set of long, building electronic jams. The drums were usually so fast and loud they drowned out much of the rest of the music and with muted bass on the back-burner, the songs felt light and repetitive. The build-up of each song usually reached one great climax and then stopped. Right at the best part of the song, the bass heavy, the guitar and synthesizer at their crescendo, the song would suddenly end, or drop back into the airy emptiness.
Nonetheless the crowd fought for each inch of space across the entire dance floor. Lines of people stood on the bleachers for a better view of the show and a little space to shake around. With PBR cans for sale for just 2.50 at a second bar that was set up for the show, the crowd was sloshed and happy, even as they stood still or wiggled lightly to the scrambling percussion. It was a grand party of epic proportions and will be remembered for months.
Although the band put out a long, energetic set from 10 to 1, the early ending still left the crowd hungry for more. The encore started off with a rock 'n roll tune that left the crowd a little confused, but then Lotus finished up the night with a climactic last jam.
Now for Previews:
As previously mentioned in the last previews, Yonder Mountain String Band is playing two nights at Liberty Hall, Friday and Saturday. The show is going to be one of the biggest parties in Lawrence this year, but for everyone who cannot find or afford a ticket, there are alternatives Saturday night.
If you're dying for some bluegrass but can't make it to Liberty Hall, head over to the Bottleneck and see Split Lip Rayfield play with Reverend Horton Heat! The doors open at 8 p.m. This should be an affordable, awesome alternative to Yonder. Expect some music lovers from Yonder to hop over after their favorite songs.
The Cosmopolitics will play at the Granada at 9 p.m. with Approach, Animosity & the Freedom Writers, and Right of Way.
Saturday night is full of great options, so don't miss out on the fun!
The good folks at the Bottleneck were wise enough to remove several of the booths in the bar to make more room for folks to stand and dance around. The extra space was entirely necessary, as the Bottleneck gave away all 400 wristbands, and the dance floor was a crushing deluge of wild-eyed party people.
In all honesty, the music itself was not entirely dance-able. The crowd could either hop and twist to a racing drum beat, or sway to spacey, changing electronic melodies. Obviously it was far from bad, Lotus is well-known for their talent and epic electronic rock. But it wasn't everything it could have been. Still, it's hard to complain when the show is free.
Lotus' combination of drums, bass, guitar and synthesizer/keys made for a complex, intricate set of long, building electronic jams. The drums were usually so fast and loud they drowned out much of the rest of the music and with muted bass on the back-burner, the songs felt light and repetitive. The build-up of each song usually reached one great climax and then stopped. Right at the best part of the song, the bass heavy, the guitar and synthesizer at their crescendo, the song would suddenly end, or drop back into the airy emptiness.
Nonetheless the crowd fought for each inch of space across the entire dance floor. Lines of people stood on the bleachers for a better view of the show and a little space to shake around. With PBR cans for sale for just 2.50 at a second bar that was set up for the show, the crowd was sloshed and happy, even as they stood still or wiggled lightly to the scrambling percussion. It was a grand party of epic proportions and will be remembered for months.
Although the band put out a long, energetic set from 10 to 1, the early ending still left the crowd hungry for more. The encore started off with a rock 'n roll tune that left the crowd a little confused, but then Lotus finished up the night with a climactic last jam.
Now for Previews:
As previously mentioned in the last previews, Yonder Mountain String Band is playing two nights at Liberty Hall, Friday and Saturday. The show is going to be one of the biggest parties in Lawrence this year, but for everyone who cannot find or afford a ticket, there are alternatives Saturday night.
If you're dying for some bluegrass but can't make it to Liberty Hall, head over to the Bottleneck and see Split Lip Rayfield play with Reverend Horton Heat! The doors open at 8 p.m. This should be an affordable, awesome alternative to Yonder. Expect some music lovers from Yonder to hop over after their favorite songs.
The Cosmopolitics will play at the Granada at 9 p.m. with Approach, Animosity & the Freedom Writers, and Right of Way.
Saturday night is full of great options, so don't miss out on the fun!
Saturday, November 6, 2010
Blue Martian Tribe abducts the audience and Mouth takes the show to outerspace + Previews!
Friday night the Jazzhaus got its first taste of the rising star of the jam scene from Nebraska, Blue Martian Tribe, a six-piece band whose sound ranges from psychedelic Pink Floyd trips to funky dance-able jams reminiscent of Moe. Blue Martian Tribe, or BMT, was the perfect opener for Mouth, warming up the crowd and getting hot and heavy with their bold, dynamic guitar riffs, heart-pounding percussion and funky bass and keys.
Between their lead and rhythm guitars, bass, keys and two percussionists, Blue Martian Tribe creates a compilation of mind-boggling music that's pleasant on the ears and impressive to behold. Their songs held all the qualities of an old-school Grateful Dead tribute, a progressive rock group and a funky jazz band. BMT's blend of styles is balanced and keeps their set exciting by changing up the mood with the different sounds.
The dance floor filled up with excited listeners, entranced by the changing, flowing sounds of the band. Even as the Jazzhaus continued to welcome late-comers for Mouth, BMT blew away the crowd with their energetic, diverse set.
"It's a great venue, great crowd. Couldn't ask for a better show," BMT drummer Adam Gerber declared after the set. Plans are already in place for future shows with Mouth in Nebraska. Hopefully it won't be long before Blue Martian Tribe beams down to Lawrence again.
Mouth's drummer Stephen Gunn said, "The secret word for tonight's show is 'nonelectro'. There have been so many electronic shows in town lately, we want to do something different."
Mouth may be the most reliably awesome band playing in Lawrence and Kansas City these days. Every show they play is a well-practiced, brilliantly fun, funky good time. But they are always changing up their songs, adding something new, playing well-loved tunes with a different style. As usual, Mouth failed to disappoint their loving fans, by playing a set that was different, even as it was another great concert.
For their set last night, Mouth played some of the fan favorites, with a different twist, emphasizing less on spacey electronica sounds and focusing on the funky, organic sounds of their songs. You can always recognize a great Mouth song like Virtuality or Worm, but even as you hear your favorite riff, or dynamic back-and-forth between the trio's instruments, you can tell it's different. Mouth needs very little in the way of improvement, but they still love to give their best hits a new spin, and see how the audience likes it.
Last night's experiments were a huge success, the dance floor became entirely packed, with people crowding the tables and walkways leading up to the stage just to get closer to the brilliant music. The entire bar was getting crowded by the time Mouth started their set. By the end of the night it was completely swamped with dancing, drinking, party people.
It's been said before, and it will be said again, if you're looking for a funky dance party, there's nothing better than a Mouth show.
Now, for Previews:
Possibly the best deal you'll ever get for a concert; Lotus is playing at the Bottleneck Tuesday night at 10 p.m. for FREE! The electronic jam band has a strong following of loving fans, who are already frothing at the mouth about this show. If you want to join the party, tickets will be available for free starting at 2 p.m. Come early and get your groove on, it's going to be a wild night!
Then if you haven't gotten your fill of electronica, the Granada will have a lineup of DJs throwing down hot tracks Wednesday night at the Granada at 9 p.m. for just $3. The show is being called Bass.0 which one would assume means that there will be a lot of heavy bass, so come ready to get down.
Lastly, this weekend promises two nights of glorious bluegrass from one of the nation's best bands in the scene: Yonder Mountain String Band! The Colorado based band of string-plucking minstrels makes a stop in Lawrence each Fall to throw down some epic jams. Yonder is usually very upbeat, pleasant on the ears and easy to dance to. If the past 3 years are any indication, these two nights will be fantastic. If you can get a hold of a ticket for either night, do it! Liberty Hall, 8 p.m. Be There!
Between their lead and rhythm guitars, bass, keys and two percussionists, Blue Martian Tribe creates a compilation of mind-boggling music that's pleasant on the ears and impressive to behold. Their songs held all the qualities of an old-school Grateful Dead tribute, a progressive rock group and a funky jazz band. BMT's blend of styles is balanced and keeps their set exciting by changing up the mood with the different sounds.
The dance floor filled up with excited listeners, entranced by the changing, flowing sounds of the band. Even as the Jazzhaus continued to welcome late-comers for Mouth, BMT blew away the crowd with their energetic, diverse set.
"It's a great venue, great crowd. Couldn't ask for a better show," BMT drummer Adam Gerber declared after the set. Plans are already in place for future shows with Mouth in Nebraska. Hopefully it won't be long before Blue Martian Tribe beams down to Lawrence again.
Mouth's drummer Stephen Gunn said, "The secret word for tonight's show is 'nonelectro'. There have been so many electronic shows in town lately, we want to do something different."
Mouth may be the most reliably awesome band playing in Lawrence and Kansas City these days. Every show they play is a well-practiced, brilliantly fun, funky good time. But they are always changing up their songs, adding something new, playing well-loved tunes with a different style. As usual, Mouth failed to disappoint their loving fans, by playing a set that was different, even as it was another great concert.
For their set last night, Mouth played some of the fan favorites, with a different twist, emphasizing less on spacey electronica sounds and focusing on the funky, organic sounds of their songs. You can always recognize a great Mouth song like Virtuality or Worm, but even as you hear your favorite riff, or dynamic back-and-forth between the trio's instruments, you can tell it's different. Mouth needs very little in the way of improvement, but they still love to give their best hits a new spin, and see how the audience likes it.
Last night's experiments were a huge success, the dance floor became entirely packed, with people crowding the tables and walkways leading up to the stage just to get closer to the brilliant music. The entire bar was getting crowded by the time Mouth started their set. By the end of the night it was completely swamped with dancing, drinking, party people.
It's been said before, and it will be said again, if you're looking for a funky dance party, there's nothing better than a Mouth show.
Now, for Previews:
Possibly the best deal you'll ever get for a concert; Lotus is playing at the Bottleneck Tuesday night at 10 p.m. for FREE! The electronic jam band has a strong following of loving fans, who are already frothing at the mouth about this show. If you want to join the party, tickets will be available for free starting at 2 p.m. Come early and get your groove on, it's going to be a wild night!
Then if you haven't gotten your fill of electronica, the Granada will have a lineup of DJs throwing down hot tracks Wednesday night at the Granada at 9 p.m. for just $3. The show is being called Bass.0 which one would assume means that there will be a lot of heavy bass, so come ready to get down.
Lastly, this weekend promises two nights of glorious bluegrass from one of the nation's best bands in the scene: Yonder Mountain String Band! The Colorado based band of string-plucking minstrels makes a stop in Lawrence each Fall to throw down some epic jams. Yonder is usually very upbeat, pleasant on the ears and easy to dance to. If the past 3 years are any indication, these two nights will be fantastic. If you can get a hold of a ticket for either night, do it! Liberty Hall, 8 p.m. Be There!
Monday, November 1, 2010
Future Rock blows up the Granada then EOTO tears it down!
Halloween night, EOTO always plays in Lawrence to celebrate everyone's favorite night of debauchery. In the past the band has played the Bottleneck and the Jackpot, but for this Hallows' eve, EOTO was raging it at the Granada for a crowd that barely fit inside the spacious venue.
Opening for the dynamic duo was Future Rock, an progressive house and electronic band from Chicago. The trio's combination of grumbling bass, symphonic keys, and dancing drums give their brand of techno a rock 'n' roll growl to it. Future Rock blew away the Late Night Show at Summer Camp Music Festival last May, and their rave-esque electronica still has the same quality of dance-ability it did then. To finish their set the bassist led the crowd in an epic last rah. He held his guitar up by the neck, thrusting the instrument straight up into the air as the final song reached its crescendo, the entire audience screaming with glee.
Before EOTO took the stage the crowd had already shuffled outside, packed the sidewalk for a cigarette break, staggered back inside and packed the entire venue again. EOTO took the stage and wasted no time getting busy. The band's style has been described as dubstep, breakbeat, house, drum and bass, trip-hop and more, but whatever you call it, the band throws down heavy beats with its pulsing bass and thumping drums. Mixing drums, bass, guitars, keys and vocals, live, the pair of veteran electronic bards put together unique sets every night. You can even find their sets on livedownloads.com, so you can hear the set you loved so much again. For this Halloween concert the band put together a set of such epic, bass-heavy tunes that the floor, even the air itself seemed to vibrate for each piece.
The entire concert had a general good vibe about it. Strangers all dressed in ridiculous costumes made fast friends with everyone dancing around them. There wasn't really room to be distant, so everyone was getting friendly. The bands' great music had an upbeat, dance-ability that made it impossible to resist rocking your body to. EOTO got the crowd so worked up that their encore barely sated everyone's thirst for more music. After the finale, the huge crowd lingered outside the Granada until almost 3 in the morning, with street performers keeping the beats going.
Electronic music of this quality comes around just a couple times in a year. EOTO loves Lawrence and Lawrence loves EOTO, so if you're looking for a good atmosphere for a dance party, be there the next time they come to town!
Opening for the dynamic duo was Future Rock, an progressive house and electronic band from Chicago. The trio's combination of grumbling bass, symphonic keys, and dancing drums give their brand of techno a rock 'n' roll growl to it. Future Rock blew away the Late Night Show at Summer Camp Music Festival last May, and their rave-esque electronica still has the same quality of dance-ability it did then. To finish their set the bassist led the crowd in an epic last rah. He held his guitar up by the neck, thrusting the instrument straight up into the air as the final song reached its crescendo, the entire audience screaming with glee.
Before EOTO took the stage the crowd had already shuffled outside, packed the sidewalk for a cigarette break, staggered back inside and packed the entire venue again. EOTO took the stage and wasted no time getting busy. The band's style has been described as dubstep, breakbeat, house, drum and bass, trip-hop and more, but whatever you call it, the band throws down heavy beats with its pulsing bass and thumping drums. Mixing drums, bass, guitars, keys and vocals, live, the pair of veteran electronic bards put together unique sets every night. You can even find their sets on livedownloads.com, so you can hear the set you loved so much again. For this Halloween concert the band put together a set of such epic, bass-heavy tunes that the floor, even the air itself seemed to vibrate for each piece.
The entire concert had a general good vibe about it. Strangers all dressed in ridiculous costumes made fast friends with everyone dancing around them. There wasn't really room to be distant, so everyone was getting friendly. The bands' great music had an upbeat, dance-ability that made it impossible to resist rocking your body to. EOTO got the crowd so worked up that their encore barely sated everyone's thirst for more music. After the finale, the huge crowd lingered outside the Granada until almost 3 in the morning, with street performers keeping the beats going.
Electronic music of this quality comes around just a couple times in a year. EOTO loves Lawrence and Lawrence loves EOTO, so if you're looking for a good atmosphere for a dance party, be there the next time they come to town!
Friday, October 29, 2010
Alex B and Big Gigantic drop heavy Drum and Bass at the Granada + Previews!
Thursday night Halloween weekend was kicked off early with a hardcore electronic set from the rising stars of Big Gigantic and a worthy opening act by Alex B. The opener's electronica accented by thumping bass and hip-hop stylings got the crowd warmed up with a short first set before the headliner came on stage.
The Granada had a healthy, big audience was already filling the dance floor and lining the bar. Everyone was thrilled and a little confused to see Big Gigantic come on so soon, but Alex B explained how the night's multiple sets were going to work.
One interesting, unique thing about this show was how the opener and headliner took turns on stage, switching places twice before both the members of Big Gigantic and Alex B played together for the final set of the night.
With barely a pause in the music, Alex B and Big Gigantic switched places on stage to keep the dancing and cheering. Everyone at the show was smiling, laughing and getting down perpetually, from one set to the next.
Alex B's electronic mixes had a wacky, experimental flair that did not always stick with a dance-able beat, but the beat-intoxicated audience hardly paused in their gyrations through the long, changing songs.
Big Gigantic's hardcore electronica is backed by wild, energetic drums and smoothly blended with saxophone to create a funky, jazzy techno mix that you cannot find anywhere else. Their heavy bass and drums gave the songs their dancing beat, and kept everyone entranced throughout each of their sets. Big Gigantic has a knack for changing keys within a song, completely switching the sound of the song, without giving up the beat and the flow of the music.
The band impressed this reviewer when they opened for STS9 at Liberty Hall last year, and proved themselves more than capable of satisfying a big crowd all on their own, with some help from opener Alex B. The Granada's full house was thoroughly impressed by last night's set, and showed their appreciation with constant cheering and a demand for an encore. The last set ended at 1:15 a.m. with a final jazzy encore lasting until 1:30. Alex B joined Big Gigantic with a bass guitar, and the three musicians combined their jazzy electronic skills to make a smooth, funky finale that left everyone fully satisfied.
Hopefully Big Gigantic and Alex B will both be back in town before long!
Now for Previews:
On top of all the epic shows that already came up this week, and those due to come this weekend, there are more great shows on the way next week, so be sure to sober up after Halloween so you can get back downtown!
There's the Mudstomp Monday Bluegrass at the Granada on November 1st
Then Neon Dance Party Thursday night at the Jackpot Thursday, November 4th
Finall, Mouth will be playing at the Jazzhaus Friday at 9 p.m. with Blue Martian Tribe! This show is sure to be a great party, so come ready to rage it!
The Granada had a healthy, big audience was already filling the dance floor and lining the bar. Everyone was thrilled and a little confused to see Big Gigantic come on so soon, but Alex B explained how the night's multiple sets were going to work.
One interesting, unique thing about this show was how the opener and headliner took turns on stage, switching places twice before both the members of Big Gigantic and Alex B played together for the final set of the night.
With barely a pause in the music, Alex B and Big Gigantic switched places on stage to keep the dancing and cheering. Everyone at the show was smiling, laughing and getting down perpetually, from one set to the next.
Alex B's electronic mixes had a wacky, experimental flair that did not always stick with a dance-able beat, but the beat-intoxicated audience hardly paused in their gyrations through the long, changing songs.
Big Gigantic's hardcore electronica is backed by wild, energetic drums and smoothly blended with saxophone to create a funky, jazzy techno mix that you cannot find anywhere else. Their heavy bass and drums gave the songs their dancing beat, and kept everyone entranced throughout each of their sets. Big Gigantic has a knack for changing keys within a song, completely switching the sound of the song, without giving up the beat and the flow of the music.
The band impressed this reviewer when they opened for STS9 at Liberty Hall last year, and proved themselves more than capable of satisfying a big crowd all on their own, with some help from opener Alex B. The Granada's full house was thoroughly impressed by last night's set, and showed their appreciation with constant cheering and a demand for an encore. The last set ended at 1:15 a.m. with a final jazzy encore lasting until 1:30. Alex B joined Big Gigantic with a bass guitar, and the three musicians combined their jazzy electronic skills to make a smooth, funky finale that left everyone fully satisfied.
Hopefully Big Gigantic and Alex B will both be back in town before long!
Now for Previews:
On top of all the epic shows that already came up this week, and those due to come this weekend, there are more great shows on the way next week, so be sure to sober up after Halloween so you can get back downtown!
There's the Mudstomp Monday Bluegrass at the Granada on November 1st
Then Neon Dance Party Thursday night at the Jackpot Thursday, November 4th
Finall, Mouth will be playing at the Jazzhaus Friday at 9 p.m. with Blue Martian Tribe! This show is sure to be a great party, so come ready to rage it!
Thursday, October 21, 2010
Scary awesome shows coming up around Halloween!
It's one of the best times of the year for terrific concerts of all kinds and sure enough Lawrence is hosting some of the best shows you can find to celebrate Halloween at. Starting this weekend and leading up to the holiday itself, there's too many things to list here. The following are just highlights of the most exciting shows in town.
Friday the Cosmopolitics will be getting funky at the Jazzhaus at 10 p.m. The progressive, fusion jam band should have a good crowd on a Friday night, so come out if you're in the mood to party!
Saturday there are a couple of fantastic shows:
Of Montreal will be playing at Liberty Hall at 7 p.m. with Janelle Monae. For any fan of indie pop this is a must see show. Tickets might seem a little expensive, at $21, but it's worth it if this is your scene.
The same night Big Smith will be playing the Bottleneck at 9 p.m. with Shannon McNally and Hot
Sauce, and That Damn Sasquatch. The price isn't listed on Lawrence.com but if you're a fan of folk rock this is the place to be Saturday night.
Things REALLY heat up Monday night, when Bassnectar will be playing at Liberty Hall. This show promises to be so epic tickets have already sold out. Bassnectar threw down a sick show at Liberty Hall last Fall, and the Fall before that at the Granada. His sets are so great he is often a main act at major music festivals like Summer Camp and Wakarusa. If you're incredibly lucky you already have tickets, but if not, you might just find someone with a spare outside around 9 p.m.
Then, it's just a few days until Big Gigantic plays with Alex B at the Granada at 9 p.m. on Thursday night for $13-15 according to Lawrence.com. Big Gigantic did a fantastic job opening for Sound Tribe Sector 9 the last time they played in Lawrence, at Liberty Hall. This should be a great pre-Halloween weekend show.
Friday, the 29th, Gogol Bordello will be playing at Liberty Hall at 9 p.m.. The gypsy punk band has a cult following of their own, and gave a fantastic performance opening for Primus at the Uptown Theatre this last August. For between $26 to $28 this is sure to be a wild concert. Gogol's weird, wacky, stomp-along songs will be a hoot on Halloween weekend.
But if Gogol isn't your cup of tea, check out Chicago Afrobeat Project playing at the Bottleneck at 9 p.m. with Hearts of Darkness. This dance party will have funky jams going all night long, perfect for folks who are ready for a raging weekend.
Then perhaps the most exciting concert of the weekend will be inconveniently scheduled for Sunday, the 31st, when Eoto will be playing with Future Rock at the Granada. Eoto's bass-thumping, drum-rumbling electronic jams are so intricate, addictive and exciting you won't ever want to stop dancing once you start. Future Rock threw down at Summer Camp Music Festival this last May, and will no doubt make a fantastic opener for Eoto. Be advised, you might miss work or school the next morning if you attend this show.
Remember, Halloween is awesome, so have fun, and be safe so you can celebrate it again next year!
Friday the Cosmopolitics will be getting funky at the Jazzhaus at 10 p.m. The progressive, fusion jam band should have a good crowd on a Friday night, so come out if you're in the mood to party!
Saturday there are a couple of fantastic shows:
Of Montreal will be playing at Liberty Hall at 7 p.m. with Janelle Monae. For any fan of indie pop this is a must see show. Tickets might seem a little expensive, at $21, but it's worth it if this is your scene.
The same night Big Smith will be playing the Bottleneck at 9 p.m. with Shannon McNally and Hot
Sauce, and That Damn Sasquatch. The price isn't listed on Lawrence.com but if you're a fan of folk rock this is the place to be Saturday night.
Things REALLY heat up Monday night, when Bassnectar will be playing at Liberty Hall. This show promises to be so epic tickets have already sold out. Bassnectar threw down a sick show at Liberty Hall last Fall, and the Fall before that at the Granada. His sets are so great he is often a main act at major music festivals like Summer Camp and Wakarusa. If you're incredibly lucky you already have tickets, but if not, you might just find someone with a spare outside around 9 p.m.
Then, it's just a few days until Big Gigantic plays with Alex B at the Granada at 9 p.m. on Thursday night for $13-15 according to Lawrence.com. Big Gigantic did a fantastic job opening for Sound Tribe Sector 9 the last time they played in Lawrence, at Liberty Hall. This should be a great pre-Halloween weekend show.
Friday, the 29th, Gogol Bordello will be playing at Liberty Hall at 9 p.m.. The gypsy punk band has a cult following of their own, and gave a fantastic performance opening for Primus at the Uptown Theatre this last August. For between $26 to $28 this is sure to be a wild concert. Gogol's weird, wacky, stomp-along songs will be a hoot on Halloween weekend.
But if Gogol isn't your cup of tea, check out Chicago Afrobeat Project playing at the Bottleneck at 9 p.m. with Hearts of Darkness. This dance party will have funky jams going all night long, perfect for folks who are ready for a raging weekend.
Then perhaps the most exciting concert of the weekend will be inconveniently scheduled for Sunday, the 31st, when Eoto will be playing with Future Rock at the Granada. Eoto's bass-thumping, drum-rumbling electronic jams are so intricate, addictive and exciting you won't ever want to stop dancing once you start. Future Rock threw down at Summer Camp Music Festival this last May, and will no doubt make a fantastic opener for Eoto. Be advised, you might miss work or school the next morning if you attend this show.
Remember, Halloween is awesome, so have fun, and be safe so you can celebrate it again next year!
Thursday, October 14, 2010
Cornmeal mashes up the Bottleneck with the energy of a music festival
The night that Fall Break began, Cornmeal, a nationally renowned bluegrass jam band stopped by Lawrence on their way to Mulberry Mountain for Harvest Music Festival. Even though a lot of folks had already left Lawrence for the festival and other Fall Break trips, the Bottleneck was still alive with energy and a crowd that was hungry for music. Cornmeal satisfied the audience with a mind-blowing set that left fans gaping in awe.
The opener, Head For The Hills was great, according to early-birds who arrived before the time Lawrence.com said the show would start. By 10:30 the opener was already done, but the night had only begun.
When Cornmeal came on stage, a crowd of eager music-lovers filled the dancefloor and began to cheer. Everyone whose ever heard Cornmeal knows how epic their live performances are and it's a rare treat to catch the five-piece band in a small venue like the Bottleneck.
The harmony of the banjo, guitar, fiddle and stand-up bass makes every song an intricate, balanced, piece of bluegrass bliss, backed up by the brilliant drummer's pumping beats. The crowd immediately began to swing and dance around in front of the stage, while the band performed a wide range of jams and cover songs. It was a mixed crowd of young and old, hippies and hipsters, but everyone was family that night, in the happy, drunken party that was a Cornmeal chow.
Cornmeal's musical roots go deep and reach wide, taking inspiration, influence and cover songs from all kinds of bands, from country kings like the Allman Brothers, rock gods like The Rolling Stones, and jam band legends like The Grateful Dead. Within a single song, Cornmeal switched from fast-fingered bluegrass brilliance to psychedelic improvised jams that took the audience on a whiskey-spun trip to the sound and feel of a raging music festival.
Dancers crowded to the front of the stage and spread back from there, completely carried away by the long, fun, passionate songs. The band's energy was so intense, their tempo so fast, but melodic, it took the crowd's breath away and left them panting before the encore.
Cornmeal has a power like no other bluegrass band. The musicians have such a ridiculous talent that they each seem like the fastest, most accurate banjo, guitar, fiddle, stand-up bass, and drum players you've seen. Together they blend their instruments and vocals to turn out a wide range of songs that are all well-practiced, yet different during each jam.
The last time Cornmeal came to Lawrence they headlined the L Town Throwdown and tore it up, but this show may have topped that one in terms of sheer energetic force, which is saying a lot. It may be another 6 months before the band is back in town, so if you want to see them, make a trip to their home-base of Chicago, but everyone here in Lawrence is praying to see them come again soon.
The opener, Head For The Hills was great, according to early-birds who arrived before the time Lawrence.com said the show would start. By 10:30 the opener was already done, but the night had only begun.
When Cornmeal came on stage, a crowd of eager music-lovers filled the dancefloor and began to cheer. Everyone whose ever heard Cornmeal knows how epic their live performances are and it's a rare treat to catch the five-piece band in a small venue like the Bottleneck.
The harmony of the banjo, guitar, fiddle and stand-up bass makes every song an intricate, balanced, piece of bluegrass bliss, backed up by the brilliant drummer's pumping beats. The crowd immediately began to swing and dance around in front of the stage, while the band performed a wide range of jams and cover songs. It was a mixed crowd of young and old, hippies and hipsters, but everyone was family that night, in the happy, drunken party that was a Cornmeal chow.
Cornmeal's musical roots go deep and reach wide, taking inspiration, influence and cover songs from all kinds of bands, from country kings like the Allman Brothers, rock gods like The Rolling Stones, and jam band legends like The Grateful Dead. Within a single song, Cornmeal switched from fast-fingered bluegrass brilliance to psychedelic improvised jams that took the audience on a whiskey-spun trip to the sound and feel of a raging music festival.
Dancers crowded to the front of the stage and spread back from there, completely carried away by the long, fun, passionate songs. The band's energy was so intense, their tempo so fast, but melodic, it took the crowd's breath away and left them panting before the encore.
Cornmeal has a power like no other bluegrass band. The musicians have such a ridiculous talent that they each seem like the fastest, most accurate banjo, guitar, fiddle, stand-up bass, and drum players you've seen. Together they blend their instruments and vocals to turn out a wide range of songs that are all well-practiced, yet different during each jam.
The last time Cornmeal came to Lawrence they headlined the L Town Throwdown and tore it up, but this show may have topped that one in terms of sheer energetic force, which is saying a lot. It may be another 6 months before the band is back in town, so if you want to see them, make a trip to their home-base of Chicago, but everyone here in Lawrence is praying to see them come again soon.
Sunday, October 3, 2010
The Raveonettes finish Scion Garage Fest with a perfect set + Previews!
One of the rarest acts to ever come through Lawrence, The Raveonettes of Denmark came to add to the headliners of Scion Garage Fest, an indie music festival held within four of the best venues downtown. Saturday there was a reinforced army of indie kids patrolling the streets, including travelers from places as near as St. Louis and Colorado, and as far as Toronto, all in town for a free show including over 20 bands from every sub-genre of indie rock. Many folks were left wondering how any of the bands or venues made any money at all, when the tickets for this huge festival were given away for free to anyone who RSVPed for the event, but nobody was complaining, even waiting in a line an entire block long to get their free ticket.
With between five and ten bands in lineups at the Jackpot, the Bottleneck, the Granada and Liberty Hall, the festival never felt too crowded. In fact, The Raveonettes set at 11 p.m. at Liberty Hall was surprisingly empty, the largest venue in town was only one third full. But having the crowd spread out between four bars made the show feel all the more intimate for the dedicated fans willing to miss other great sets to catch their favorite band.
The Raveonettes have a unique style of indie rock based on old 50's and 60's pop mixed with dark, energetic guitar riffs and noise. There's really nothing else to compare it to, you just have to hear them for yourself. In their live sets the band really lets loose with lengthier jams and openings and endings to their songs not normally heard in their records.
The crowd, small though it was, got down to the bands' more energetic, upbeat tunes, and cooled off during their slower, more melancholy pieces. The Raveonettes sounded grateful and happy to play for their loving fans, and played a full hour set, including this reviewer's three favorite songs, Last Dance, Aly, Walk With Me, and Lust. Other awesome hits included Blush, Dead Sound, and Let's Rave On. Between oldies like Love In A Trashcan, and newer songs like Gone Forever, the band reminded the audience of why they are so awesomely addictive.
Even with a small fraction of the crowd they deserved, the band still came back out for a 2-song encore, for their dedicated followers, leaving the crowd on the upbeat note of That Great Love Sound. The Raveonettes really know how to show love for their fans!
It may be a long time before this band is around these parts again, but if you ever get a chance to catch them, don't miss it! The Raveonettes are a creative, musical force everyone should hear.
Now for Previews:
If you didn't get enough Indie rock yesterday, The Mountain Goats will be at the Bottleneck with Wye Oak at 8 p.m. The Mountain Goat's indie-folk blend is a melodic journey of catchy choruses and diverse sounds in each song. The show is set to cost $15 according to Lawrence.com.
But for the more thrifty music-lovers, don't forget about Mudstomp Mondays at the Granada at 9 p.m. For just $2 you can catch some local acts that are just starting to show off their new stuff in their first live performances, as well as great, experienced bluegrass acts like Deadman Flats.
Then Tuesday, Trampled by Turtles will be playing at the Bottleneck at 8 p.m. for $11. One of the most catchy, folk/bluegrass acts in the nation, Trampled by Turtles are always a great time, so if you can afford it, this show will be well worth the cost.
With between five and ten bands in lineups at the Jackpot, the Bottleneck, the Granada and Liberty Hall, the festival never felt too crowded. In fact, The Raveonettes set at 11 p.m. at Liberty Hall was surprisingly empty, the largest venue in town was only one third full. But having the crowd spread out between four bars made the show feel all the more intimate for the dedicated fans willing to miss other great sets to catch their favorite band.
The Raveonettes have a unique style of indie rock based on old 50's and 60's pop mixed with dark, energetic guitar riffs and noise. There's really nothing else to compare it to, you just have to hear them for yourself. In their live sets the band really lets loose with lengthier jams and openings and endings to their songs not normally heard in their records.
The crowd, small though it was, got down to the bands' more energetic, upbeat tunes, and cooled off during their slower, more melancholy pieces. The Raveonettes sounded grateful and happy to play for their loving fans, and played a full hour set, including this reviewer's three favorite songs, Last Dance, Aly, Walk With Me, and Lust. Other awesome hits included Blush, Dead Sound, and Let's Rave On. Between oldies like Love In A Trashcan, and newer songs like Gone Forever, the band reminded the audience of why they are so awesomely addictive.
Even with a small fraction of the crowd they deserved, the band still came back out for a 2-song encore, for their dedicated followers, leaving the crowd on the upbeat note of That Great Love Sound. The Raveonettes really know how to show love for their fans!
It may be a long time before this band is around these parts again, but if you ever get a chance to catch them, don't miss it! The Raveonettes are a creative, musical force everyone should hear.
Now for Previews:
If you didn't get enough Indie rock yesterday, The Mountain Goats will be at the Bottleneck with Wye Oak at 8 p.m. The Mountain Goat's indie-folk blend is a melodic journey of catchy choruses and diverse sounds in each song. The show is set to cost $15 according to Lawrence.com.
But for the more thrifty music-lovers, don't forget about Mudstomp Mondays at the Granada at 9 p.m. For just $2 you can catch some local acts that are just starting to show off their new stuff in their first live performances, as well as great, experienced bluegrass acts like Deadman Flats.
Then Tuesday, Trampled by Turtles will be playing at the Bottleneck at 8 p.m. for $11. One of the most catchy, folk/bluegrass acts in the nation, Trampled by Turtles are always a great time, so if you can afford it, this show will be well worth the cost.
J-Wail warms up the Jazzhaus for Mouth to go wild with an improv set
Friday night there were several great shows downtown, but Mouth's army of loyal fans still packed the Jazzhaus for an epic concert of improv renditions of some of the headliners' best hits. Dirtfoot was at the Bottleneck for all the bluegrass lovers, and The Spook Lights were at the Replay Lounge for all the psychedelic surf rockers, but for a funky dance party, everyone in town knew to go to the Jazzhaus for a wild good time.
J-Wail of Denver put on a lengthy set of electronic jams, with a drummer throwing down a hot beat behind the synthesizer. The set was not bad, but hard for folks to get down to. Surprising, considering the quality of the DJ's songs on his website. The crowd was still coming in while the opener warmed things up, but even so, only a few brave or drunken souls hit the dance floor for the electronica. The music felt a little too repetitive and simple to hold an audience's attention, many people packed the smoking patio and filled the tables while the opener played background music. But before Mouth was half-done setting up a thick crowd of eager music lovers was filling the dance floor, ready to party.
As always, Mouth's set was different and exciting for new-comers and regular fans alike. A loving horde of dancers trying to get down packed the front of the stage, overflowing into the spaces between tables. Mouth started off telling everyone that their set would be a lot of improv and jams, and they delivered. Incorporating some of the fan favorites, the band turned out a unique set of jams that kept everyone dancing and cheering.
You know it's a great jam band when they can play original sets that still hold the familiar quality and style of the band, keeping a full dance floor happy. Indeed this was a party of epic proportions at the Jazzhaus, so overtly fun that nobody wanted it to end. Even after the bar was closing, the band members and their most excited fans went on to after-party into the early hours of the morning.
If a show's quality is measured in how much fun the crowd has, this show was grade A perfection. In terms of music, J-Wail left something to be desired, but Mouth more than made up for it.
If this column hasn't made it clear before: Mouth is where it's at. Their shows are fantastic, with great music, party people and good vibes. Don't miss the next chance to be at the best show of the night!
J-Wail of Denver put on a lengthy set of electronic jams, with a drummer throwing down a hot beat behind the synthesizer. The set was not bad, but hard for folks to get down to. Surprising, considering the quality of the DJ's songs on his website. The crowd was still coming in while the opener warmed things up, but even so, only a few brave or drunken souls hit the dance floor for the electronica. The music felt a little too repetitive and simple to hold an audience's attention, many people packed the smoking patio and filled the tables while the opener played background music. But before Mouth was half-done setting up a thick crowd of eager music lovers was filling the dance floor, ready to party.
As always, Mouth's set was different and exciting for new-comers and regular fans alike. A loving horde of dancers trying to get down packed the front of the stage, overflowing into the spaces between tables. Mouth started off telling everyone that their set would be a lot of improv and jams, and they delivered. Incorporating some of the fan favorites, the band turned out a unique set of jams that kept everyone dancing and cheering.
You know it's a great jam band when they can play original sets that still hold the familiar quality and style of the band, keeping a full dance floor happy. Indeed this was a party of epic proportions at the Jazzhaus, so overtly fun that nobody wanted it to end. Even after the bar was closing, the band members and their most excited fans went on to after-party into the early hours of the morning.
If a show's quality is measured in how much fun the crowd has, this show was grade A perfection. In terms of music, J-Wail left something to be desired, but Mouth more than made up for it.
If this column hasn't made it clear before: Mouth is where it's at. Their shows are fantastic, with great music, party people and good vibes. Don't miss the next chance to be at the best show of the night!
Monday, September 27, 2010
September ends and October begins with all kinds of great music playing downtown all weekend!
As September winds down and October begins there's a whole list of great shows to catch, starting with some fantastic Bluegrass bands coming to the Bottleneck this week, and ending with a gigantic music festival, Scion Garage Fest held within four of the best venues downtown.
First, local Bluegrass gods Deadman Flats will be playing with Oakhurst at the Bottleneck at 10 p.m. on Wednesday. Deadman Flats' style of speedy, punkish bluegrass and hilarious drinkin' country tunes makes every show into a hoedown of epic proportions. Oakhurst is a five-piece bluegrass jam band from Denver, that sound talented and easy on the ears. These two bands should compliment each other quite well, and make for a great mid-week concert to let loose at.
Then, Dirtfoot will be stopping by the Bottleneck to lay down some awesome bluegrass jams Friday at 10 p.m. with American Aquarium. Dirtfoot, the folk and bluegrass band from Shreveport, Louisiana always puts on a fantastic show to a big, enthusiastic crowd, so come ready to party hardy!
BUT, also on Friday at 10 p.m. The Spook Lights, one of Lawrence's coolest, weirdest bands will be on at the Replay Lounge along with Fag Cop, Strong Smells, and Wayne Pain. This show will only be $2 and these bands are most likely to play to a smaller, more personal crowd in the indoor part of the bar. The Spook Lights are awesomely quirky, full of passion and brilliant talent, not to mention lots of fun, addictive hits that all their loyal fans love. The band has a special style of old 60s pop rock crossed with a little bit of spooky, psychedelic surf rock to create something you won't hear anywhere else.
Now, granted it's pretty ironic that a bunch of indie rock bands would play for a festival that's blatantly sponsored by a big not-at-all-indie company, but Scion Garage Fest is going to be epic for music lovers. The festival involves a list of bands playing one after another at The Bottleneck, Liberty Hall, The Jackpot Music Hall, and The Granada. Most of the bands listed appear to be indie rock groups of one sub-genre or another. The best bands this reviewer is excited to see are opening and headlining at Liberty Hall. Rooftop Vigilantes, a Lawrence original band that's skyrocketing to fame is playing one last show in town before going on tour. Then The Raveonettes will finish the night at Liberty Hall at 11 p.m. The Denmark based indie rock band plays a style of oldies mixed with dark lyrics and slick, addictive guitar riffs. Some of their songs rock hard and fast, others are slow and sweet, but it's all well-composed, brilliantly executed music without compare. Try Aly, Walk With Me on their Myspace to get a great idea of their use of melodies, harmonies and harsh noise to make incredibly music. This may be one of the rarest bands you can ever see in Lawrence, these guys don't come around this area often. Be there!
But if neither of these bands is your cup of tea, there's dozens of other bands playing all evening and through the night at the other three venues this festival is being held at. So take your pick and have a fantastic weekend!
First, local Bluegrass gods Deadman Flats will be playing with Oakhurst at the Bottleneck at 10 p.m. on Wednesday. Deadman Flats' style of speedy, punkish bluegrass and hilarious drinkin' country tunes makes every show into a hoedown of epic proportions. Oakhurst is a five-piece bluegrass jam band from Denver, that sound talented and easy on the ears. These two bands should compliment each other quite well, and make for a great mid-week concert to let loose at.
Then, Dirtfoot will be stopping by the Bottleneck to lay down some awesome bluegrass jams Friday at 10 p.m. with American Aquarium. Dirtfoot, the folk and bluegrass band from Shreveport, Louisiana always puts on a fantastic show to a big, enthusiastic crowd, so come ready to party hardy!
BUT, also on Friday at 10 p.m. The Spook Lights, one of Lawrence's coolest, weirdest bands will be on at the Replay Lounge along with Fag Cop, Strong Smells, and Wayne Pain. This show will only be $2 and these bands are most likely to play to a smaller, more personal crowd in the indoor part of the bar. The Spook Lights are awesomely quirky, full of passion and brilliant talent, not to mention lots of fun, addictive hits that all their loyal fans love. The band has a special style of old 60s pop rock crossed with a little bit of spooky, psychedelic surf rock to create something you won't hear anywhere else.
Now, granted it's pretty ironic that a bunch of indie rock bands would play for a festival that's blatantly sponsored by a big not-at-all-indie company, but Scion Garage Fest is going to be epic for music lovers. The festival involves a list of bands playing one after another at The Bottleneck, Liberty Hall, The Jackpot Music Hall, and The Granada. Most of the bands listed appear to be indie rock groups of one sub-genre or another. The best bands this reviewer is excited to see are opening and headlining at Liberty Hall. Rooftop Vigilantes, a Lawrence original band that's skyrocketing to fame is playing one last show in town before going on tour. Then The Raveonettes will finish the night at Liberty Hall at 11 p.m. The Denmark based indie rock band plays a style of oldies mixed with dark lyrics and slick, addictive guitar riffs. Some of their songs rock hard and fast, others are slow and sweet, but it's all well-composed, brilliantly executed music without compare. Try Aly, Walk With Me on their Myspace to get a great idea of their use of melodies, harmonies and harsh noise to make incredibly music. This may be one of the rarest bands you can ever see in Lawrence, these guys don't come around this area often. Be there!
But if neither of these bands is your cup of tea, there's dozens of other bands playing all evening and through the night at the other three venues this festival is being held at. So take your pick and have a fantastic weekend!
Monday, September 20, 2010
Electric Theory pumps up the Riot Room for Mouth to get wild
The Riot Room attracted a crowd of party people from Kansas City's Westport area and Lawrence folks that weathered the stormy night to make it out to see a great lineup of bands. This reviewer's favorites, Electric Theory and Mouth were big hits with the audience and turned the show into a dance party like no other bands could.
Electric Theory's set received a lot of attention from the crowd, which was previously divided between the indoor bar and the outdoor patio, which also had a bar and featured a DJ spinning hip-hop dance tunes. Their last song was especially epic, exemplifying the band's fantastic style of well-practiced jams, including pulsing bass and drums that are irresistibly dance-able. The crowd was getting down through the thrilling finale and then were left cheering for more as the next band began to set up.
Avant Du Futur, a band with an interesting sound but without an easily-found website, came on next. The foursome's combination of synthesizer mixed sounds, a woman's gorgeous voice and a sorceress of the violin made for some very interesting music. Their style of ambient, techno-infused, haunting melodies took the show through a mysterious trip into subtly growing, pumping dance tunes. The songs all seemed to blend together so the band virtually never paused during their set, but on the downside this included a few long, repetitive streaks that could have been cut down. Still, by the second half of their set the crowd on the dancefloor was moving non-stop to the pulsing rhythms and harmonious violin and vocals.
Two tough acts to follow, but still Mouth stole the show with their ever-improving, polished renditions of some of their best hits, plus new stuff everybody loved. The three-piece band really knows how to throw it down, and made the Riot Room dance floor into a wild party. Every instrument works in sync with the others, and they play off of each other to make every great song into a growing, pumping, funky jam that the crowd takes to quickly. The crowd was getting down from start to finish of this great set. In fact, the members of the band said they were given special permission to "just keep playing" as long as they wanted, enjoying the love and energy of an appreciative crowd to play on through the night.
Great music is worth traveling for, especially when it's at a good venue. The Riot Room is built to bring the audience up to the dance floor from the bar to enjoy the band. The show was partly great thanks to this comfortably spacious and well-designed bar. Most importantly, it was well worth the drive to KC to catch this fantastic show because these bands all threw down heavy sets that everyone enjoyed.
Electric Theory's set received a lot of attention from the crowd, which was previously divided between the indoor bar and the outdoor patio, which also had a bar and featured a DJ spinning hip-hop dance tunes. Their last song was especially epic, exemplifying the band's fantastic style of well-practiced jams, including pulsing bass and drums that are irresistibly dance-able. The crowd was getting down through the thrilling finale and then were left cheering for more as the next band began to set up.
Avant Du Futur, a band with an interesting sound but without an easily-found website, came on next. The foursome's combination of synthesizer mixed sounds, a woman's gorgeous voice and a sorceress of the violin made for some very interesting music. Their style of ambient, techno-infused, haunting melodies took the show through a mysterious trip into subtly growing, pumping dance tunes. The songs all seemed to blend together so the band virtually never paused during their set, but on the downside this included a few long, repetitive streaks that could have been cut down. Still, by the second half of their set the crowd on the dancefloor was moving non-stop to the pulsing rhythms and harmonious violin and vocals.
Two tough acts to follow, but still Mouth stole the show with their ever-improving, polished renditions of some of their best hits, plus new stuff everybody loved. The three-piece band really knows how to throw it down, and made the Riot Room dance floor into a wild party. Every instrument works in sync with the others, and they play off of each other to make every great song into a growing, pumping, funky jam that the crowd takes to quickly. The crowd was getting down from start to finish of this great set. In fact, the members of the band said they were given special permission to "just keep playing" as long as they wanted, enjoying the love and energy of an appreciative crowd to play on through the night.
Great music is worth traveling for, especially when it's at a good venue. The Riot Room is built to bring the audience up to the dance floor from the bar to enjoy the band. The show was partly great thanks to this comfortably spacious and well-designed bar. Most importantly, it was well worth the drive to KC to catch this fantastic show because these bands all threw down heavy sets that everyone enjoyed.
Thursday, September 16, 2010
Saturday night full of funky jam shows!
Between Lawrence and Kansas City there is a good show almost every night, especially on the weekends. This weekend there will be great shows everywhere, giving everyone choices for what party they want to rage it at.
Saturday night Rocket Science will be playing at the Bottleneck with Funkotron and Nadis Warriors. This show should be a great time for everyone in town. Rocket Science's style of groovy electronic funk and original drum and bass jams makes for great dancing, drinking, partying music. Anyone looking for fun downtown should check this show out at 8 p.m.!
The same exact night at 9 p.m. Mouth and Electric Theory will be playing in Kansas City at the Riot Room with Avant Du Futur, TooTheFace, and Re:Animated. Mouth's funky, jazzy jams have made some of the very best shows in Lawrence to date, so it's worth it to make the trip to KC just to catch them. On top of that the rising star Electric Theory is playing electronic breakbeats to get down to. They will undoubtedly have a great set. These two bands alone guarantee a fantastic show, but they're playing along with three other bands, for just $8. This is the best bang for your buck, hands down. So, if you're in Kansas City, or really interested in hearing some awesome music, this would be a great night to check out the Riot Room.
Sunday night Rogue Wave will be coming through town, playing their unique style of folksy, pop indie rock at the Granada at 7 p.m. for $15, according to Lawrence.com. Rogue Wave came through town a year or two ago, and played a fun set at the Bottleneck where the band members were friendly and talkative with their audience, if the show at the Granada is anything like that show, it will be a cool time for anyone down for some well-practiced indie rock.
Stay tuned for more great shows coming up in the next few weeks!
Saturday night Rocket Science will be playing at the Bottleneck with Funkotron and Nadis Warriors. This show should be a great time for everyone in town. Rocket Science's style of groovy electronic funk and original drum and bass jams makes for great dancing, drinking, partying music. Anyone looking for fun downtown should check this show out at 8 p.m.!
The same exact night at 9 p.m. Mouth and Electric Theory will be playing in Kansas City at the Riot Room with Avant Du Futur, TooTheFace, and Re:Animated. Mouth's funky, jazzy jams have made some of the very best shows in Lawrence to date, so it's worth it to make the trip to KC just to catch them. On top of that the rising star Electric Theory is playing electronic breakbeats to get down to. They will undoubtedly have a great set. These two bands alone guarantee a fantastic show, but they're playing along with three other bands, for just $8. This is the best bang for your buck, hands down. So, if you're in Kansas City, or really interested in hearing some awesome music, this would be a great night to check out the Riot Room.
Sunday night Rogue Wave will be coming through town, playing their unique style of folksy, pop indie rock at the Granada at 7 p.m. for $15, according to Lawrence.com. Rogue Wave came through town a year or two ago, and played a fun set at the Bottleneck where the band members were friendly and talkative with their audience, if the show at the Granada is anything like that show, it will be a cool time for anyone down for some well-practiced indie rock.
Stay tuned for more great shows coming up in the next few weeks!
Tuesday, September 7, 2010
Aotearoa impresses at the Eighth Street Tap Room
It's a rare pleasure to discover a brilliant new band, full of potential, just getting started. A diamond in the rough is exciting to see because you can hear the natural talent, the practiced skill and the capacity for greatness.
Monday night the Eighth Street Tap Room was hosting five different local bands, each given a short time slot to give the mixed audience of indie hipsters a taste of their style. Among the various bands playing was a duo that call themselves Aotearoa. The pair of musicians switched instruments for different songs, one on drums the other playing electric guitar. This band alone made the show worth the three dollar cover charge.
Their set was short, just a few quick songs, but it was impressive. The rhythmic drum beats and snappy, clever guitar riffs worked together in perfect harmony. The instruments backed up the singing to form funky songs that were easy to groove to and catchy enough that every song left the audience cheering for more.
Jake Lerman, one of the band members, looped guitar riffs to play a second guitar part along with the first, and even picked up a second pair of drum sticks and played fast, wicked percussion on a cowbell, cymbals and other percussion pieces alongside with the other drummer. Between the two musicians they produced more separate sounds in their songs than any average pair of artists could.
Aotearoa's style of funky, jam-band rock was danceable and fun, although you would not have guessed it from the shy crowd that stood around the Tap Room basement. Nonetheless the band's sound was fantastic and addictive and got the audience moving way more than the previous band.
Every song was a brilliant, but short piece, that could easily be extended to a full set. This band has the talent, skill and potential to rise up high in the local music scene. As a fan of bigger local bands with a similar style, this reviewer would like very much to see Aotearoa take a shot at opening for such big names as Mouth or The Floozies. With a little luck these musicians can meet up and see just how well they can work together. Keep an eye out for more shows from Aotearoa, they are definitely worth checking out.
Monday night the Eighth Street Tap Room was hosting five different local bands, each given a short time slot to give the mixed audience of indie hipsters a taste of their style. Among the various bands playing was a duo that call themselves Aotearoa. The pair of musicians switched instruments for different songs, one on drums the other playing electric guitar. This band alone made the show worth the three dollar cover charge.
Their set was short, just a few quick songs, but it was impressive. The rhythmic drum beats and snappy, clever guitar riffs worked together in perfect harmony. The instruments backed up the singing to form funky songs that were easy to groove to and catchy enough that every song left the audience cheering for more.
Jake Lerman, one of the band members, looped guitar riffs to play a second guitar part along with the first, and even picked up a second pair of drum sticks and played fast, wicked percussion on a cowbell, cymbals and other percussion pieces alongside with the other drummer. Between the two musicians they produced more separate sounds in their songs than any average pair of artists could.
Aotearoa's style of funky, jam-band rock was danceable and fun, although you would not have guessed it from the shy crowd that stood around the Tap Room basement. Nonetheless the band's sound was fantastic and addictive and got the audience moving way more than the previous band.
Every song was a brilliant, but short piece, that could easily be extended to a full set. This band has the talent, skill and potential to rise up high in the local music scene. As a fan of bigger local bands with a similar style, this reviewer would like very much to see Aotearoa take a shot at opening for such big names as Mouth or The Floozies. With a little luck these musicians can meet up and see just how well they can work together. Keep an eye out for more shows from Aotearoa, they are definitely worth checking out.
Sound Tribe delivers sick set at the Crossroads in KC then The Floozies throw down for the afterparty
It was a perfect night for an outdoor show downtown in the city. The Crossroads at Grinders in Kansas City was set up with fantastic lights, lasers and fog machines to create an atmosphere of psychedelic electronica. A crowd lined up in the neighboring parking lot, along with folks gathered around cars surrounding the venue, tailgating the show. The air was alive with the eager fans' anticipation. It was clear that this would be a fantastic night.
Ghostland Observatory opened for the gathering crowd, playing electronic jams that included piercing, lyrics that were not always in tune with the music. The punk element the vocals brought was interesting, but it felt out of place with the rest of the songs. The crowd was appreciative, but the opener was not on par with the headliner.
When Sound Tribe Sector 9 took the stage, the audience went wild. It was just after 9 p.m. and the crowd was excited to jam. Throughout the set, the band played familiar songs to entirely different tempos, with odd sharp and flat chords, as if playing the songs in whole different keys. It felt satisfying to hear the band play something familiar, but new. STS9 met their own greatest challenge, finding a jam bands' balance between lovable classics and new, original material. EHM, one of this reviewer's all-time favorite songs was played fantastically well, stirring the crowd to a higher level of energy than anything else. The instrument's volumes were well balanced, to allow hardcore fans to usually hear the parts of songs they know well, but even so, there was an occasional omission of some sweet, lovable solo or riff that left one's ears with something missing.
Even with a powerful performance including some very well-done renditions of songs like Shock Doctrine, Rent and One a Day, there was a general outcry of shock and dismay when the band said goodnight at 11 p.m. Granted, two hours is a fairly decent set, but the encore's two songs were possibly the weakest in the set, and left the crowd feeling a little let down. In retrospect it was a great show, but at the time it really felt short.
Although the show at the Crossroads ended tragically early, The Floozies had spread the word about an afterparty show at the Crosstown Station around the corner. At the early hour of the night a trickle of music lovers who were far from finished partying made their way to the smaller, indoor venue, where one of the EZ brothers was playing songs to warm things up for The Floozies.
Mark and Matt Hill took the stage to an eruption of applause from friends, fans and music enthusiasts ready to get down. It was a long, and passionate set for the band, playing from before midnight until 2:30 a.m. and the brother's played with the intricate brilliance and funky soul. The crowd was grateful and packed the dancefloor butt to gut, getting wild and crazy through the set. Loyal Lawrencians who traveled for the show and stuck around to see their local favorites took the stage to dance behind the band, while a hula-hoop wielding seductress performed beautifully up front.
Sound Tribe might seem like a tough act to follow, but in the intimate venue, surrounded by friends and party animals, the Floozies proved themselves more than capable. The last song, a hot, funky rendition of Thriller, brought the house down, and left the crowd satisfied.
Sound Tribe threw down a great set, and even though it felt short, it really wasn't. This may not have been their very best set ever, but it was good, and original, and you can't ask for more from a jam band that is always trying something new when they play live shows. The Floozies made the night, when they picked up the energy right where STS9 left it. It would be great to see both these bands on the same stage someday!
Ghostland Observatory opened for the gathering crowd, playing electronic jams that included piercing, lyrics that were not always in tune with the music. The punk element the vocals brought was interesting, but it felt out of place with the rest of the songs. The crowd was appreciative, but the opener was not on par with the headliner.
When Sound Tribe Sector 9 took the stage, the audience went wild. It was just after 9 p.m. and the crowd was excited to jam. Throughout the set, the band played familiar songs to entirely different tempos, with odd sharp and flat chords, as if playing the songs in whole different keys. It felt satisfying to hear the band play something familiar, but new. STS9 met their own greatest challenge, finding a jam bands' balance between lovable classics and new, original material. EHM, one of this reviewer's all-time favorite songs was played fantastically well, stirring the crowd to a higher level of energy than anything else. The instrument's volumes were well balanced, to allow hardcore fans to usually hear the parts of songs they know well, but even so, there was an occasional omission of some sweet, lovable solo or riff that left one's ears with something missing.
Even with a powerful performance including some very well-done renditions of songs like Shock Doctrine, Rent and One a Day, there was a general outcry of shock and dismay when the band said goodnight at 11 p.m. Granted, two hours is a fairly decent set, but the encore's two songs were possibly the weakest in the set, and left the crowd feeling a little let down. In retrospect it was a great show, but at the time it really felt short.
Although the show at the Crossroads ended tragically early, The Floozies had spread the word about an afterparty show at the Crosstown Station around the corner. At the early hour of the night a trickle of music lovers who were far from finished partying made their way to the smaller, indoor venue, where one of the EZ brothers was playing songs to warm things up for The Floozies.
Mark and Matt Hill took the stage to an eruption of applause from friends, fans and music enthusiasts ready to get down. It was a long, and passionate set for the band, playing from before midnight until 2:30 a.m. and the brother's played with the intricate brilliance and funky soul. The crowd was grateful and packed the dancefloor butt to gut, getting wild and crazy through the set. Loyal Lawrencians who traveled for the show and stuck around to see their local favorites took the stage to dance behind the band, while a hula-hoop wielding seductress performed beautifully up front.
Sound Tribe might seem like a tough act to follow, but in the intimate venue, surrounded by friends and party animals, the Floozies proved themselves more than capable. The last song, a hot, funky rendition of Thriller, brought the house down, and left the crowd satisfied.
Sound Tribe threw down a great set, and even though it felt short, it really wasn't. This may not have been their very best set ever, but it was good, and original, and you can't ask for more from a jam band that is always trying something new when they play live shows. The Floozies made the night, when they picked up the energy right where STS9 left it. It would be great to see both these bands on the same stage someday!
Friday, September 3, 2010
From Quiet Arms rock the Granada and The Floozies get crunk at the Bottleneck
Thursday night the streets were alive downtown, with great shows up and down Mass. street. The Granada was hosting a CD release party while the Bottleneck celebrated the Homecoming of a local band that's just about to launch a new tour. Fans for both bands came out to show their support and partied like it was already the weekend.
From Quiet Arms followed close behind the last of their three openers, playing a fantastic set of songs off their new CD. The band's additional instruments filled out the sound, giving the band's stage presence a huge boost in strength. Between the three guitarists, two keyboards, bass, drums and vocals, the band blasted their audience with powerful, climactic songs. Unfortunately the crowd wasn't what it should have been, the Granada was about half full. But, to their credit, the fans were raging it hard, screaming and hollering between every song, cheering the hearts out. From Quiet Arms enjoyed a strong following of loyal fans.
"This was a great show, we had fun." Bassist Josh Adkins said.
The band may have had technical difficulties with an instrument, but it was completely covered by the brilliant work of the other musicians, producing a sound quality that was even better than any performance this reviewer has seen before.
"It was everything from the last four years of our lives, and it was awesome to have a good turnout," Vocalist Stephen Cabrera said, "It was a really good time. I'm happy it happened."
As if From Quiet Arms' show weren't enough to complete a Thursday night, The Floozies were still on at the Bottleneck when the show was over. A crowd of Floozies fans packed the Bottleneck, with beautiful girls crowding the stage, pulling a couple of lucky guys including yours truly up with them. Matt and Mark Hill played on until the bar was closing, finishing the night with brilliant, funky, jazzy jams. The next month will see The Floozies all over the midwest, but you will have one opportunity to catch them around here soon, when they play at the STS9 Afterparty this Sunday night.
From Quiet Arms followed close behind the last of their three openers, playing a fantastic set of songs off their new CD. The band's additional instruments filled out the sound, giving the band's stage presence a huge boost in strength. Between the three guitarists, two keyboards, bass, drums and vocals, the band blasted their audience with powerful, climactic songs. Unfortunately the crowd wasn't what it should have been, the Granada was about half full. But, to their credit, the fans were raging it hard, screaming and hollering between every song, cheering the hearts out. From Quiet Arms enjoyed a strong following of loyal fans.
"This was a great show, we had fun." Bassist Josh Adkins said.
The band may have had technical difficulties with an instrument, but it was completely covered by the brilliant work of the other musicians, producing a sound quality that was even better than any performance this reviewer has seen before.
"It was everything from the last four years of our lives, and it was awesome to have a good turnout," Vocalist Stephen Cabrera said, "It was a really good time. I'm happy it happened."
As if From Quiet Arms' show weren't enough to complete a Thursday night, The Floozies were still on at the Bottleneck when the show was over. A crowd of Floozies fans packed the Bottleneck, with beautiful girls crowding the stage, pulling a couple of lucky guys including yours truly up with them. Matt and Mark Hill played on until the bar was closing, finishing the night with brilliant, funky, jazzy jams. The next month will see The Floozies all over the midwest, but you will have one opportunity to catch them around here soon, when they play at the STS9 Afterparty this Sunday night.
Wednesday, September 1, 2010
Previews for September's first epic week of concerts!
The month has barely started and already the Lawrence music scene is amped up with shows! Tomorrow night there are two great concerts downtown, another the next night, and even Sound Tribe coming up this weekend!
Thursday night, local music lovers will have plenty of options downtown. The Floozies are having their Homecoming celebration at the Bottleneck with South Carolina-based The Malah. The show starts at 9:30 p.m. for just $5. The Floozies' style of funky, jazzy jam is pure party music, and with a dedicated following of fans in Lawrence, this show is guaranteed to rock.
At the very same time, From Quiet Arms is having a CD release party at the Granada. The local Alternative Rock group has completed a 10 track album they are selling for just $5, and will be performing every song from the CD in order, at the Granada to give the audience a demonstration of what they've accomplished. The show starts early with three openers, Cloud Dog, Mother Culture, and PM Today. The headlining band comes on at 11 p.m. From Quiet Arms has taken their stage presence to a new level, with a third guitarist, and second keyboard to give their performance a fuller sound. Every crescendo and climax will feel tremendous with the band's added instruments, and the entire set will include an extravagant light show. This show will also be just $5.
Deciding which show to attend is a tough call, but no matter where you wind up, it's sure to be a great night for music downtown.
Friday night Mountain Sprout, one of the best bluegrass bands around will be coming up to the Bottleneck from their home in Arkansas. These guys really know how to party. Every show is a hilarious, boot-stompin', beer-drinkin' riot. Come ready to rage it with wild bluegrass folks.
Skipping ahead to Sunday: Sound Tribe Sector 9 will be playing at the Crossroads in Kansas City. STS9 usually stops by Lawrence a little later in the fall, but this is a welcome surprise, and the outdoor venue will be a great location for this epic electronic jam band to rock out at. Tickets sold at the Bottleneck were only $27. They may have already sold out, but if you can get there, it will be worth anything to be at this show.
This is shaping up to be a great month for concerts. Stay tuned for more previews of awesome shows coming up soon!
Thursday night, local music lovers will have plenty of options downtown. The Floozies are having their Homecoming celebration at the Bottleneck with South Carolina-based The Malah. The show starts at 9:30 p.m. for just $5. The Floozies' style of funky, jazzy jam is pure party music, and with a dedicated following of fans in Lawrence, this show is guaranteed to rock.
At the very same time, From Quiet Arms is having a CD release party at the Granada. The local Alternative Rock group has completed a 10 track album they are selling for just $5, and will be performing every song from the CD in order, at the Granada to give the audience a demonstration of what they've accomplished. The show starts early with three openers, Cloud Dog, Mother Culture, and PM Today. The headlining band comes on at 11 p.m. From Quiet Arms has taken their stage presence to a new level, with a third guitarist, and second keyboard to give their performance a fuller sound. Every crescendo and climax will feel tremendous with the band's added instruments, and the entire set will include an extravagant light show. This show will also be just $5.
Deciding which show to attend is a tough call, but no matter where you wind up, it's sure to be a great night for music downtown.
Friday night Mountain Sprout, one of the best bluegrass bands around will be coming up to the Bottleneck from their home in Arkansas. These guys really know how to party. Every show is a hilarious, boot-stompin', beer-drinkin' riot. Come ready to rage it with wild bluegrass folks.
Skipping ahead to Sunday: Sound Tribe Sector 9 will be playing at the Crossroads in Kansas City. STS9 usually stops by Lawrence a little later in the fall, but this is a welcome surprise, and the outdoor venue will be a great location for this epic electronic jam band to rock out at. Tickets sold at the Bottleneck were only $27. They may have already sold out, but if you can get there, it will be worth anything to be at this show.
This is shaping up to be a great month for concerts. Stay tuned for more previews of awesome shows coming up soon!
Saturday, August 28, 2010
Billy the Squirrel and Sonic Sutra jam pure gold at the Bottleneck
Friday night the Bottleneck hosted one of the most exciting and memorable shows of the years. Since Billy Wassung of both Billy the Squirrel and Sonic Sutra is moving to St. Louis, it may be a long time before anyone in Lawrence hears from two of the town's best local bands again. With that in mind a crowd of dedicated fans and followers of both bands filled the Bottleneck to get one last night of brilliant music.
Billy Squirrel opened the show with it's special style of funky bluegrass. The combination of a mandolin, acoustic guitar and banjo in harmony with an electric bass, keyboard and drums, creates a really surreal blend of sounds. The band's psychedelic solos, and harmonic vocals make every song entirely different and original. The only band that could follow this act was Sonic Sutra.
With not just one but two sets, Sonic Sutra completed the night with some of their best hits, satisfying the crowd with hypnotic jams that make the band's shows so epic. From beginning to end of both sets the dance floor was packed with excited fans getting down to every song. The guitar, and keys' intricate melodies, pumped up by the bass and drums' beats, with the vocal harmonies took the audience to a rare, wonderful level of energy. Dancers let themselves go, and fans cheered and waved at the end of every hit song. When the second set finished, it was a perfect end of a wild party, leaving everyone smiling.
It's a huge loss to the local music scene to see both these great bands go for the time being, but there is hope that they can reunite again when Billy comes back to town to visit. This reviewer will make sure to catch them any time they play again.
Tonight: Vibesquad at the Granada, Electric Theory at the Jackpot, and Split Lip Rayfield at either the Replay or the Bottleneck - not sure on the last one. It's a tough choice, but if you have the cash and the energy you can make it between shows and see some of everything. Whatever you do, have fun and be safe!
Sunday, August 22, 2010
Electric Theory charges up the Bottleneck, Afrobreakbeats throws down, then Mouth gets loud and funky + Previews
It was a fantastic Friday night, with show three bands playing long sets for a crowd that was ready to party. The Bottleneck was alive early on, but kept filling up, the energy in the air charging like a battery. Girls swung hula hoops to the sides of the dance floor, and the bar was always crowded. Between sets folks played pool while eagerly awaiting the next band. The crowd of young party people were excited about the first Friday night of the new school year, and the bands kicked the year off just right.
Electric Theory came on at 9 p.m. and didn't stop until after 10. Trevor Stout jammed out alongside Stephen Gunn, the drummer from Mouth. The two skilled musicians played in perfect harmony creating fantastic electronic dance music. Mark Hill of The Floozies also joined them on guitar, creating a dynamic sound that can only come from three wicked talents that are practiced and passionate. This may have been one of Electric Theory's best sets yet, and is a sign of great things to come. Afrobreakbeats had a tough act to follow.
There was some confusion on Lawrence.com over the third band playing with Electric Theory and Mouth. At one point it was listed as Afrobreakbeats, then Zoogma, then someone else, but ultimately it was the first, Afrobreakbeats, featuring Leonard DStroy and Brandon Draper. The energetic drummer carried the set with fantastic solos and pumping beats. The synthesizer added some cool, heavy rhythms, creating a Drum and Bass sound that was reasonably good, but not great. Following Electric Theory's intricate set, Afrobreakbeats' songs felt a little lacking. There were pauses, empty silences, and long, long drum solos. Granted things got a little better when a rapper came on stage to sing some rhymes, but the band may need another instrument to fill in the gaps.
Finally Mouth took the stage to a fully packed Bottleneck. The 3-piece band had Gravy, the expert saxophonist who plays with other fantastic bands such as Future Shock and The Floozies, to add a jazz sound to the band's funky electric jam. Mouth has developed a following of loyal fans who crowded the dance floor and the rest of the venue too. Every hit song of theirs was received with an explosion of cheers from the audience. With the jammed dance floor, girls hula hooping on the sides of the dance floor and other ladies dancing on stage behind the band, it became apparent that Mouth might be ready to fill a bigger venue. The set included most of the band's best, but even after an encore, the crowd was screaming for more. Hopefully they will be back on stage before long!
Now for Previews:
Friday, Billy the Squirrel is playing with Sonic Sutra at the Bottleneck at 9 p.m. This should be one of the best jam shows of the season!
Then Saturday VibeSquaD, The EZ Brothers and Nick Arcade will be playing at the Granada at 9 p.m. This electronic show will be a thumping Dub and Bass rave of epic proportions. Over 200 people are attending the Facebook event. This show will be the place to rage it on Saturday night, so be there!
Electric Theory came on at 9 p.m. and didn't stop until after 10. Trevor Stout jammed out alongside Stephen Gunn, the drummer from Mouth. The two skilled musicians played in perfect harmony creating fantastic electronic dance music. Mark Hill of The Floozies also joined them on guitar, creating a dynamic sound that can only come from three wicked talents that are practiced and passionate. This may have been one of Electric Theory's best sets yet, and is a sign of great things to come. Afrobreakbeats had a tough act to follow.
There was some confusion on Lawrence.com over the third band playing with Electric Theory and Mouth. At one point it was listed as Afrobreakbeats, then Zoogma, then someone else, but ultimately it was the first, Afrobreakbeats, featuring Leonard DStroy and Brandon Draper. The energetic drummer carried the set with fantastic solos and pumping beats. The synthesizer added some cool, heavy rhythms, creating a Drum and Bass sound that was reasonably good, but not great. Following Electric Theory's intricate set, Afrobreakbeats' songs felt a little lacking. There were pauses, empty silences, and long, long drum solos. Granted things got a little better when a rapper came on stage to sing some rhymes, but the band may need another instrument to fill in the gaps.
Finally Mouth took the stage to a fully packed Bottleneck. The 3-piece band had Gravy, the expert saxophonist who plays with other fantastic bands such as Future Shock and The Floozies, to add a jazz sound to the band's funky electric jam. Mouth has developed a following of loyal fans who crowded the dance floor and the rest of the venue too. Every hit song of theirs was received with an explosion of cheers from the audience. With the jammed dance floor, girls hula hooping on the sides of the dance floor and other ladies dancing on stage behind the band, it became apparent that Mouth might be ready to fill a bigger venue. The set included most of the band's best, but even after an encore, the crowd was screaming for more. Hopefully they will be back on stage before long!
Now for Previews:
Friday, Billy the Squirrel is playing with Sonic Sutra at the Bottleneck at 9 p.m. This should be one of the best jam shows of the season!
Then Saturday VibeSquaD, The EZ Brothers and Nick Arcade will be playing at the Granada at 9 p.m. This electronic show will be a thumping Dub and Bass rave of epic proportions. Over 200 people are attending the Facebook event. This show will be the place to rage it on Saturday night, so be there!
Tuesday, August 17, 2010
The Season to Party!
When a certain party-loving friend of mine returned to town and the streets of Lawrence were filled with traffic, it became clear that the time had come for another school year to start, and with that, a ton of parties, shows and nights out on the town to come. It's that time of year again, so in the spirit of the season, everyone is out every night. Monday night at the Jazzhaus, Karaoke night became a crazed sing-along party. New 21-year-olds and older regulars packed the small venue in what was probably the busiest Monday night any bar has seen in months. But that was just the beginning.
Tuesday nights are $1.50 night at the Jazzhaus, this event usually gets a great crowd, but based on last nights' insanity, people should expect it to be a really happenin' time at the bar tonight. This is a perfect example of how you can still have a great time without spending too much money. The cover charge and drinks are affordable, the bar is hoppin' and there's energy coursing through the streets downtown. Now's the time to get out and have some fun!
Then Friday, Electric Theory, Mouth, and now Zoogma are scheduled to play the Bottleneck, starting at 9 p.m. This show is guaranteed to rock your socks off, so be there or be square. Electric Theory puts out fantastic tunes that will definitely get the crowd going from the start. Mouth is one of the best bands in Lawrence, and every show they play is like a fantastic party. Zoogma is a rising star in the Jazzy Electronic scene and they are impressive and fun. This show is a MUST because the lineup is great, the venue is awesome, and this is that special time of year when everyone is out there, looking for fun, and you should be too!
But, if those bands are not your cup of tea, The Cosmopolitics will be up at the Jazzhaus, which is not a bad alternative by any means. If you want to get down to some fusion, progressive jam rock, this band is worth checking out, it's too bad both great shows are going on at the same time.
A week later there will be even more incredible shows, so stay tuned and keep the party going!
Tuesday nights are $1.50 night at the Jazzhaus, this event usually gets a great crowd, but based on last nights' insanity, people should expect it to be a really happenin' time at the bar tonight. This is a perfect example of how you can still have a great time without spending too much money. The cover charge and drinks are affordable, the bar is hoppin' and there's energy coursing through the streets downtown. Now's the time to get out and have some fun!
Then Friday, Electric Theory, Mouth, and now Zoogma are scheduled to play the Bottleneck, starting at 9 p.m. This show is guaranteed to rock your socks off, so be there or be square. Electric Theory puts out fantastic tunes that will definitely get the crowd going from the start. Mouth is one of the best bands in Lawrence, and every show they play is like a fantastic party. Zoogma is a rising star in the Jazzy Electronic scene and they are impressive and fun. This show is a MUST because the lineup is great, the venue is awesome, and this is that special time of year when everyone is out there, looking for fun, and you should be too!
But, if those bands are not your cup of tea, The Cosmopolitics will be up at the Jazzhaus, which is not a bad alternative by any means. If you want to get down to some fusion, progressive jam rock, this band is worth checking out, it's too bad both great shows are going on at the same time.
A week later there will be even more incredible shows, so stay tuned and keep the party going!
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