Slippy Larue expertly opens the Jazzhaus for Mouth's old favorites made new + Previews

Slippy Larue, of Columbia, Missouri came out to the Jazzhaus to open for Mouth, fusing synthesizers, keys, drums and guitar to blast the small venue with fantastic jams. The band's hypnotic trance tunes and stirring rhythms filled the Jazzhaus with energy. Slippy Larue demonstrates a kind of dedicated practice and brilliant music choreography that is hard to find anywhere. It was a perfect opening act for Mouth.

The only down side to the opener's performance was the crowd. There wasn't one. People showed up late to the bar and missed out on an epic performance, but the folks that had come early to appreciate the great music got a stunning set from the opener. Hopefully Slippy Larue will return and see a bigger crowd next time!

But aside from a slow start, the night went very well. Mouth came to the stage with some familiar, great songs, that have been tweaked, improved and over-hauled to give the crowd a set of exciting, intense songs that are definitely classic Mouth, but bigger and better than ever. Songs like Virtuality and Worm sounded like they had gotten a jolt of electricity in them, giving the familiar songs a new vibe.

Fortunately for Mouth, the crowd had finally come out in time for them, and the dance floor was packed, seats all filled and the bar was alive. The party didn't stop until after two encore songs, much to the delight of the grateful audience. Mouth knows how to treat their fans.

Now for Previews:

Tonight, Saturday, Cicada Rhythm is putting on a show at the Granada, just $5 for adrenaline-pumping electronic dance music. Lincoln, Nebraska's Somasphere is headlining with Sam Krause, and DJason. This should be a great show, probably packed, considering how low the price is and how fantastic the music will be!

Then, Tuesday, back at the Granada, The Faint will be playing their famous electronic pop rock for $15. If you're into that kinda thing, this'll probably be a pretty great show. It's always exciting when big acts come to town!

The Wailers stir up the Granada then The Big Lebowski packs Liberty Hall + Previews

Last Friday night Lawrence was in for a very special treat, as the original Wailers, Bob Marley's band, played at the Granada. A mob of adoring reggae fans packed the venue from the foot of the stage to the back of the balcony. The Wailers played classic hits everyone loves as well as newer pieces the band has written recently, delivering a flawless set.

Folks from all walks of life, young and old from Lawrence and all around were glad to pay only $20, when the Wailers often go for as much as $35 in other cities. The Granada was a great venue for this show because it accommodated a big crowd while still letting the band's sound rock your world. It was so loud that people standing in the walled-off entrance lobby could completely enjoy the music while getting a drink.

The Wailers band members have changed since the days of Bob Marley, but they still have a fiercely passionate, talented lineup of musicians that keeps the fantastic reggae sound that made the band famous. With great vocals, lead and rhythm guitars, bass, two guys with keys, and a manic drummer, the range of sound, harmonies and intricate combination of beats made the songs flow seamlessly.

Anyone who missed the show needs to make sure they catch the Wailers, the next chance they get.

This show kicked off the weekend just right before another great event for fun-lovers came on Saturday night.

The Big Lebowski was played at Liberty Hall on Saturday night for $5. There were also White Russians on sale for true fans who liked to drink along with The Dude. The show was surprisingly popular and the large venue filled up. Some folks were more into the movie than others, some a little too into it.

This cult-classic film has spawned Big Lebowski Festivals, and movie parties all around the country, with no sign of stopping. Everyone should see this movie and if you have the chance, watch it with friends. It might technically be a movie, but The Big Lebowski is more like a party favor than a film.

Now For Previews:

Tomorrow night, Wednesday, Mouth will be playing with Zoogma, and Papadosio at 9 p.m. at the Bottleneck. Zoogma caught this writer's attention when they played at Wakarusa. Mouth is one of the best funk bands in Lawrence, consistently putting on fun shows that turn out to be the hippest parties around.

If you don't get enough funk tomorrow night, Thursday, Fuzz Nasty will be filling the Jazzhaus with soulful dance-tunes at 10 p.m. for $4.

Stay tuned for more reviews and previews! And stay classy, Lawrence.

Shpongle raves on a Tuesday night like Europe on a Friday + previews

Everyone in Lawrence looking for something fun to do out on the town on 4/20 was sure to have some fun, since Downtown Lawrence itself was full of fun-lovers partying like it was a Friday. But the best show usually costs the most money, and it's not always worth it, and that was true last night, as Shpongle played at the Granada for $20, a hefty price, for a weeknight DJ show.

The opener Prometheus was mediocre at best. A mix of good quality techno, and terrible, repetitive, juvenile electronica is not what one expects to endure for $20. Not every DJ is a prodigy and even good DJs have bad moments, but Prometheus went on forever, teasing the crowd with gems buried in crap.

According to Shpongle fans, there is usually a whole band, with guitarists, drummers and keyboardists mixing together the pieces of their songs to make each show unique. Apparently most of the band stays in Europe, where the band is most popular. Last night was just a single DJ working the table on the massive stage.

Without anyone allowed to dance or party on stage, it felt like a relatively empty, inactive space for everyone to be facing as they danced. However, Shpongle goes heavy on the ambient side of electronic, and so the performance included visuals projected on a screen above the stage, which the crowd was expected to stare at as they listened to the trippy melodies. Sadly these visuals were far from compelling. Shpongle still uses the same psychedelic native-mask image it's had for years. That same picture mixed with a small handful of other pictures, which flash and blink, turn and kaleidoscope across the screen in simplistic, repetitive motions, is the entirety of the visual entertainment for the hours of techno. Overall the visuals were unoriginal and obnoxious. It's possible that the most inebriated fans could find something entertaining about the static images, but for anyone remotely close to sober, it was just awful. For good visuals in a similar musical setting, try Bassnectar.

When it came to music, Shpongle was the perfect rave DJ. Songs ranged in style from bass-thumping grinders to airy, psychedelic jams. Shpongle's brand of techno includes a great deal of world-music influence. Some songs seem to be borne from a Spanish Flamenco dance or a British anthem.

The crowd danced its heart out, filling the Granada to the brink with writhing, ecstatic bodies. People came out for the show in full rave gear, others completely unprepared. Girls were hula hooping in the alcoves and people on the dance floor swung glowsticks to the rhythms. Unfortunately security was tight, so people could not celebrate the holiday to their heart's content, but it was still a good time for anyone who had pre-partied.

Ultimately, the opening act, and setting were not perfect for a 4/20 celebration, but the music was good, and people had fun, so the show was certainly a success. The one-man act of Shpongle was making his first appearance in Lawrence, but hopefully not his last.


Now for previews:

Friday, April 23rd, That 1 Guy will be playing the Bottleneck for $8. That 1 Guy, Mike Silverman's latest album, "Packs a Wallop!" exemplifies his wicked skill and wide variety of styles based heavily around funk and jam. Songs carry a dance-able beat while sounding reminiscent of Frank Zappa's quirky pieces or Rush's prog rock. His ridiculous one-man-performance promises to be even more impressive in person than on your computer. That 1 Guy uses instruments such as the Magic Pipe, which is a series of tubes, bass strings and electric buttons put together to make a bizarre, original instrument. This is a must-see show. It starts at 9 p.m.

Saturday, April 24th, The Spook Lights will be playing the Replay Lounge for a mere $2! The local psychedelic, surf, rockabilly gods always play a fantastic, energizing show that's too exciting to miss. See past reviews of The Spook Lights. They will be playing along with Bandit Teeth, and Psychedelic Horseshit. The show starts at 10 p.m.

Sunday, April 25th, Pretty Lights is playing Liberty Hall. The show costs about $21, but promises to be a funky, electronic dance party of the highest caliber. Pretty Lights plays at such epic music festivals as Wakarusa and Summer Camp Music Festival. Anyone who likes to get down and boogie, even on a Sunday night, should be there. Doors open at 8 p.m.

L Town Throwdown floods the streets with great bluegrass pouring out of the Granada ALL DAY

Saturday, April 10th the block outside the Granada was drowned in music as over 20 bands performed bluegrass for a mere $10.

How could so many bands play at a single venue? Well it's easy when different bands can play in separate places at the same time, for example, a band was playing outside the Granada, while another played in the entrance lobby. Still more would play in the main chamber of the venue, either on the main stage, in the right alcove next to the bar, or up on the balcony. With so many stages set up, bands could play one after another, without breaks in the music.

But even so, over 20 bands? How much time could any of them play, half a song? Not when the event began at 3 p.m., with bands playing continuously until the headliners, local bluegrass masters Deadman Flats, and national music wizards, Cornmeal, finished the show at 2 p.m.

With separate bracelets for entrance and drinking, audience members could come and go as they pleased. The Throwdown was a family-friendly affair that attracted a huge, diverse crowd of Lawrencians enjoying the gorgeous weather we've had lately.

Among the fantastic acts playing during the day were the up-and-coming sensations of Potbilly, who played on the mainstage around 3:15 for an audience that quickly grew as their music progressed. Josh Inman plays a stirring bass line, and deft jamming skills, while singing with soul. Chris Franzke adds to the vocals to give even more brilliant harmony to their tunes, while melting your brain with his wickedly fast rocking riffs and sharp, skilled bluesy melodies on the guitar and mandolin. Tom Clutter adds to the blend of intricate bluegrass sounds with a banjo, when he isn't giving the songs a heavier dancing beat on the drums. Together the three young artists play a variety of covers and their own work with a slick style and natural talent that is refreshing and fun. Among the dancing, smiling listeners were pretty girls with hula-hoops and the band's growing following of fans.

Later Carrie Nation and the Speakeasy were up on the balcony, playing country americana with a trombone giving their bluegrass instruments a bluesy feel that makes this band especially distinctive. The band played for an increasingly excited crowd, as this all-day-event led to some extreme energy for the early hours of the evening. Carrie Nation and the Speakeasy have a fun, care-free attitude that's exciting to behold.

Finally, to begin the epic end of a long, and wild day, Deadman Flats came on the main stage for a full Granada, playing a fantastic set of classic Deadman hits, rocking out lengthy solos, and shining with a huge stage presence that brought the huge venue together like never before. Experienced Deadman fans gathered together to fill the dance floor with shaking, twisting laughing bodies. Girls filled the back alcoves with hula-hooping. Everything seemed perfect.
And just when it felt like a day full of brilliant bluegrass was over, Cornmeal picked up where Deadman Flats left off.

Cornmeal is one of the best bluegrass bands on the scene today. The band is under-rated compared to their competition, but still widely appreciated for their skill, and unmatched style, however Lawrence has a large and experienced enough base of bluegrass enthusiasts that the town showed the band love like only the best crowd can. The band gives bluegrass a broader, deeper meaning that you've ever imagined before hearing them. With the combined power of a guitar, banjo, upright bass, fiddle and drums, the band creates an ambrosia for the ears like angels playing bluegrass. The sound is so intense, so rolling, changing, moving, it's reminiscent of brilliant metal musicians like early Metallica...only with bluegrass. The band's progressive jams have a quality of growing strength, and relentless energy that sets every listener's heart pounding.
Friends with dozens of Granada shows under their belt declared this show the best show at the Granada before Cornmeal's set was through. The fast, harmonic groove of every song flows unfettered, until just when you think they're finished, then it goes faster and louder. Like the Energizer Bunny, the band just keeps going and going. Every song burns bright, and long like an immortal shooting star. After over 10 years band, the Chicago-based musicians tour constantly, and will be found at Summer Camp Music Festival this May 28-30.

Sonic Sutra dominates the Granada then Mouth busts out at the Jazzhaus

This review is late because it's been such a busy weekend for music in Lawrence. Anyone familiar with the wide range of epic concerts playing the last few nights will understand.

Friday night Sonic Sutra opened for California Voodoo at the Granda, starting the night early, around 9:30 p.m. Sonic Sutra is a local jam band that uses a variety of instruments to put together songs that stream smoothly from one style to another. Every song has a way of moving and progressing like a jazzy, funky, rock jam, taking your ears for a roller-coaster ride. As mentioned in a previous review, the band includes a guitarist, second vocalist adding percussion, keyboard player, bassist, and drummer that combine their skills in their respective sounds to create a strong, explosive harmony. Although Sonic Sutra always promises to be a fun time, this show was something else, like a new level of professional performing had been reached. This was the best Sonic Sutra show this reviewer has seen yet.

The band played an impressive set, going on over an hour, with nonstop jamming. Their songs are so well practiced, intricate, and rhythmic, it's exciting just to feel the progression of each piece, while dancing to the beat.

Sonic Sutra always get the crowd going with their energy and enthusiasm. Every venue, no matter how large, this band always fills the space with a contagious fun vibe that's impossible to ignore. Even in the wide space of the Granada, everyone gathered to the dance floor, people staring in awe from the rails, or getting funky up in front.

With every song, you could feel the crowd getting more excited, strutting their stuff to every funky song, rocking out to every jam, swinging to the jazzy beats. Aside from their own brilliant songs, Sonic Sutra plays fantastic covers. The finale for their set was The Talking Heads' "Psycho Killer", at which point the audience finally lost control, getting down like it was a summer festival.

Having seen what this reviewer came to see, the night was still young when Sonic Sutra finished, and Mouth was already playing at the Jazzhaus.

Although it was a tough act to follow, Mouth met the challenge admirably. The local funky, jazzy, jam band is like a force of musical nature. Mouths has a distinct sound, and a hip, clever quality that's hard to come by whether you're looking at concerts, or on the radio.

Every show is a party, because the drum beats are so fun, the guitar riffs are so groovy and the bass lines are so slick. The band has a list of memorable tunes they play with creativity that makes every show different, but familiar in a good way. With Evan Leitnaker on a second set of percussion instruments, the band had a stronger rhythm, complex, heart-racing beats, and another layer of brilliant talent to give the band even more power.

The show was already in full swing by 11, with the dance floor completely packed, chairs full, and the bar unreachable. Everyone seemed to have a smile on their face, like it was all one grand party of friends. Mouth was opening for Funkotronic, but the night out that starts early sometimes ends early, and this was one of those nights. After waiting to make sure Mouth was really finished with their set, it was time to rest weary legs from a night of funky, jazzy, jamming dance parties at the best shows in town.

Electronic Theory, Seedlove and Mouth get their funk on at the Granada

It seems odd that there would be such great shows on a Monday and Tuesday night, but that's Lawrence for you. The music scene here is astounding. A friend's band, Electronic Theory, and two other, more established local bands, Seedlove and Mouth were throwing down at the Granada for a mere $3!

The cheap cost of admission was just part of what made this night at the Granada special. Most beer draws at the bar were $2.50. The venue is in the midst of some construction, apparently. So, instead of having the bands up on the huge stage; speakers were set up on either side of the right "balcony" a sort of railed-off alcove to the side of the bar and the sound control station. From there, the band played out over the crowd situated between them and the bar. With stairs between the band and the fans, it felt much more intimate than any show I've seen at the Granada.

Electronic Theory started the night with some fun, dancing electronic beats. The drummer keeps up an energetic rhythm that makes it impossible to stand still. On top of that the other band member played on synthesizers, keys and an electric guitar, churning out complex, electronica reminiscent of Sound Tribe. The crowd wasn't at full force yet, so a lot of people missed out, and the band didn't get the applause they deserved.

After a set that was so brilliant it felt too short, the duo left the stage, so Seedlove could start setting up. This took a short while because it's a much bigger band. Seedlove combines a jazzy bass saxophone, with reggae-styling, funky, electronic guitars and bass, backed up by drums and a second percussionist. The combined power of talented musicians on all these instruments is a sound of excellent dancing jazz.

Finally Mouth came on around 12, playing a set that was brilliant, covering most of their best songs, which is a wide range of sounds. The bassist, guitarist and drummer have a practiced harmony that I'm fairly sure I've described in past reviews, but I'll do my best to describe them again. The bassist shows an understanding of his instrument that an aspiring bassist cannot help but admire. Combined with the electric guitar, the two produce complimenting jazzy, funky, jam melodies and rhythms. The drummer rocks out with stirring beats and inspiring rhythms that make every song irresistibly dance-able.

When the crowd was already excited to the point of a dance party, my friend Evan Leitnaker joined the band with percussion that gave the songs an extra rhythm, like another layer to the jam. Later a rapping DJ named Phantom stepped up to the stage and sang for a song, getting the crowd to wave and holler along.

Between the intimate set-up at the normally wide-open venue, the young, energetic crowd, and the band's slick, fun sets; the show felt more like a party than a concert. All three bands performed remarkably, for a crowd that wasn't as large as they deserved, but a great party for a Tuesday night.

Previews of Monday, both the regular weekly events and some very special concerts, and Friday's coming shows

Having Sunday off work is not all it's cracked up to be. Sure it's great to be able to sleep in after a long day and a late night Saturday, but there's hardly ever anything to do!
So, bored to tears, I checked lawrence.com to see if there would be anything fun to do tomorrow night. And then I remembered, there's always one or two things to do out on the town on Monday nights, and this Monday is better than usual, with some pretty rare shows coming to town too! I wish I had the time and money to see everything. If only I had a fancy press pass, or something I'd hop from venue to venue, and see it all haha

So here's a preview of Monday, March 15:

Monday night is Karaoke night at the Jazzhaus. Karaoke night is usually a great time for friends to go out and be goofy together. The bar doesn't get too crowded, so there's no trouble getting a drink, and finding seats for any size group. The song lists for singing have a good variety of tunes, that almost everyone knows. People take turns either showing off their skills at a song they know a little too well, or making fun of themselves, with their friends cheering them on.
It only costs a dollar to get in, and Boulevard beer is on special.

A newer Monday night weekly gathering is the Mudstomp Mondays, where folk and bluegrass musicians and bands jam together for just two dollars. Each week the show starts at 8 p.m. and ends with a headliner at 11 p.m. The event is hosted by Hank Osterhout of the bluegrass band Deadman Flats, my favorite local bluegrass band. I've been meaning to go, but usually wind up at Karaoke night or someplace else. I'm not sure if this will be the week, but it's good to know it's there.

Meanwhile, there's a special show at the Bottleneck at 8 p.m., but at a higher price. Dirty Little Rabbits, an alternative rock band, is featuring Clown from Slipknot, a hardcore metal rock band. Songs available on their myspace show Dirty Little Rabbits to be a band with clever, wicked guitar, bass and drum harmonics, as well as whip-smart vocals that come together to make an iron-hot alt-rock sound, that's very different, but catchy. The melodies, and lyrics hold a mean, energy that's exciting and addictive. According to Lawrence.com it's between $11-13. It would be worth the extra money, but I'm not sure I'll want to be alone at that show, when I could be with friends somewhere else.

Another Monday night show is at the Replay Lounge for just $2. Spirits of the Red City, and The Photo Atlas are playing folk pop rock. The Replay is a good venue because it's cheap, there's a bar outside for the smokers, and both a stage inside, and outside. Depending on the weather, the bands may be outside. Spirits of the Red City have a nostalgic, folk sound, with pop vocals and drums and classical instrumentals using cello, violas, as well as songs with trumpet, banjo, accordion and ukulele. It's difficult to categorize this band, but their myspace offers some fantastic songs.

The rest of the week, I can't say that I recognize any good shows coming up until Friday.
I will be out of town for a GREAT show in St. Louis Friday night, but for everyone in town, here's what I'd do if I was in Lawrence Friday night:

The Irietions are playing at the Jazzhaus at 10 p.m. for $4. The reggae jam band puts on a fun show. As I recall I reviewed a show of theirs a few weeks ago or so. But if that's not your cup of tea, or you're not 21, there's another great show the same night.

Eagle Scout is opening for Rooftop Vigilantes at the Replay Lounge at 10 p.m. for $2. Rooftop Vigilantes are your classic local-band-making-it-big. The pop-rock quartet started here in Lawrence, but have often been seen playing shows in Kansas City. They've been written about in publications like The Pitch, and show great potential for the future.

I'll be in St. Louis Friday, seeing Sound Tribe Sector 9, one of my favorite bands of all time. I saw them at the Pageant in St. Louis last year, when they came the same time of year. My Dad and Stepmom live there, so I have a place to stay, and several of my friends go each year, which makes the show really great. This year STS9 is playing two sets, Friday and Saturday night. I'll only be going Friday, but several friends are going to Saturday night's show. I hope to write a review of the show soon after I return Saturday night.

Deadman Flatts makes the Granada into a humongous party, and Mouth and The Floozies fill the Jazzhaus to bursting point with people

I knew I would have a long, adventurous weekend, but I don't think I ever could have guessed how crazy it would be.
My friends and I had an easy time finding free tickets to the Deadman Flats show, they apparently were trying to have a virtually free show. But before that, those of us old enough, or equiped with fake IDs stopped at the Jazzhaus for a little time with Mouth. Everyone was there, and the music was superb.

Mouth is a local funky electronic jam band, that has the skills to pay the bills. Their leader, the bassist, rocks out on a really bad-ass looking black bass, and puts on a show of his own with his hot beats and righteous solos. Altogether the band put on a show that people couldn't stand still for, and it was a great warm-up for the rest of the night.

Around 11 my friends and I finally got our rears in gear to move on to the show at the Granada. Unfortunately we missed the opening bands, but we made it just in time for the main event.

Deadman Flats has an interesting style of bluegrass music that feels like it takes some cues from punk or something else that's fast and hard. The four-piece band is an all-star lineup of talent. Mandolin, banjo, guitar and stand-up bass give energy to an already energetic sound, making you want to jump and spin, head-bang and stomp.
A harmonica player from one of the opening bands came up and joined in for a couple of songs. It was a nice idea, but I could only hear him some times.
The crowd was already pretty pumped by the time I got there, it certainly felt nice getting in for free, I'm sure I'm not the only one that thought so.
The new New Belgium IPA, Ranger, was on sale at the Granada for the first time, for $3 a cup. It's worth it to get one, because this flavorful beer lasts you a while.
So many friendly faces were wandering the big venue for this show, it was hard to keep track of anyone I wanted to talk to, but by the last few songs most of us had gathered in the big open space around the right of the sound-control booth. There, we all danced and talked and had a few laughs, and it was pretty much one of those special moments you want to remember forever, where everyone was together, and happy, and having a great old time.
I look forward to the next time like that.

But wait, the adventure didn't end there!
Deadman Flats "ended" on a not-so-good-for-ending songs, because sure enough there was a huge demand for an encore, and they played more of teir classics afte that, which made everyone very happy.
But even after the encore, it was only 1:30, and sure enough, some of my crew was still up to rage it, and the Jazzhaus was still going.

The Floozies were on now at the Jazzhaus. Some friends had stayed there and enjoyed a fantastic show, but the only problem was, by the time we left the Jazzhaus the first time around 11, it was starting to feel crowded. Returning, the small venue was completely packed. The dance floor was a sardine can, the spaces between tables were jammed and the bar was utter chaos.
There were rumors that the Floozies sold out. I'm not so sure that that's exactly the case, but the Jazzhaus was easily WAY beyond capacity.
On our way from the Granada, my friend Nikki slipped on the ice, and caught herself on her arm. She seemed okay at the time, albeit in a lot of pain, but her arm and wrist looked fine. When we got to the Jazzhaus I immediately grabbed bartender's attention for some ice for her, but Nikki wandered toward the stage, because the music was just that good.
The Floozies are a local band, with members who have moved to Denver, Colorado, but they still remember where they came from, and show Lawrence love every once in a while. Some of the guys in the band are good friends of mine, so we always try to rage their shows and support them. Their music is a dance-y kind of electric rock that reminds me of STS9 in the way they start with one fantastic groove, switch to some crazy solos, or a special climax, before jumping right back to that familiar groove, with seamless precision.
Sadly, Nikki was feeling worse from her fall, so I escorted her home, where she got another ice-pack and hit the hay. It wasn't until the next day that she decided to got to the hospital and found out she broke her arm. The larger of the two bones in her forearm. She must be one tough lady to have broken it without crying. Respect.

So, the weekend ended, and I'm kind of relieved. It was fantastic of course, but I'm wiped out. Thank god I have Monday off work!

Now I've got one upcoming show that I know I'm already planning to go to:

This coming friday, the 26th, I hear Mountain Sprout is playing at the Bottleneck.

Tune in soon for more previews of all the great shows coming up within the next month!